In this episode, Sam talks with Sienna Morris, the artist behind Numberism. The two talk SCIENCE! and history as well as the challenges facing education in those fields. And then they geek out over Sherlock!

numberism

Links:

http://www.fleetingstates.com/

https://www.etsy.com/shop/SiennaMorris

https://twitter.com/MrsSiennaMorris

Intro music: “French Kiss” by Mrs. Howl

http://mrshowl.bandcamp.com/

http://www.reverbnation.com/mrshowl

This year marked the 30th anniversary of Ghostbusters, which first premiered on June 1, 1984. Strangely enough, this is also the year that’s seen the most traction on the much rumored, only dreamed about, and highly divisive continuation of the 212992-ghostbustersfranchise. While many fans of Ghostbusters and Ghostbusters II, have longed for a third installment in the supernatural undertakings of New York’s finest paranormal experts, getting the movie off the ground has been a long and arduous process. The biggest hurdle in getting a third film made was the apparent lack of interest on the part of co-stars Bill Murray and Harold Ramis as well as director Ivan Reitman. Considering the cast and crew were essentially pressured into making the sequel by Columbia Pictures in 1989, it’s not surprising that there would be some hesitancy in making a third.

Plans to revive the franchise have been bandied about for over two decades with interest waxing and waning depending on popular trends in Hollywood and the state of the film industry itself. The project appeared to be moving forward in 2010 when Reitman announced he’d be directing and that Murray, Ramis, and Aykroyd would make cameos in order to pass on the torch to the next generation of Ghostbusters. The death of Harold Ramis in February of this year, however, followed by Reitman dropping out of directing a month later seemed to be the last straw for the franchise. With the need for nostalgia-fueled movies running high, was a third film even worth attempting if Ramis was gone, Murray a probable no-show, and Reitman backing off to produce rather than direct?

ghostbusters3The fact that Ghostbusters III is now a highly anticipated reality speaks to the franchise’s viability. With Reitman taking a back seat as the director, it was announced in October that Paul Feig would take over those duties, adding that he intended to make the next movie about an all-female team of Ghostbusters with screenwriter Katie Dippold. Neither Feig nor Dippold are strangers to projects with hilarious women – the two worked together on the buddy cop comedy The Heat (2013) starring Sandra Bullock and Melissa McCarthy. Prior to that Feig gained critical acclaim with Bridesmaids (2011), featuring an all-female cast of comedic actresses, while Dippold cut her writing chops on MADtv and Parks and Recreation. Their comedic backgrounds in sketch, improv, film, and television make them highly qualified to take over the reins of a huge comedic franchise that includes cartoons, video games, and comic books.

The only sticking point is Feig and Dippold’s plan to turn Ghostbusters III into a hard reboot, starting from scratch instead of building off of the first two films. Feig told Entertainment Weekly:PaulFeig_KatieDippold-585x424

I had lunch with [Sony Pictures co-chairman] Amy Pascal when I got back to town. She was just saying, gosh, nobody wants to do this. I said, yeah, it’s really hard to take that on, especially since it’s 25 years later. how do you come back into a world that’s had these ghosts and all this? It just felt too difficult. How do you do it and not screw it up? But then it was bugging me for the next few days because Ghostbusters is such a great thing and everybody knows it, and it’s such a great world. It’s a shame to just let this thing sit there. I want to see another one. My favorite thing to do is work with funny women. I was like, what if it was an all female cast? If they were all women?  Suddenly, my mind kind of exploded: that would be really fun. And then I thought, well, what if we just make it new? It’s not coming into the world that existed before. It’s always hard if the world has gone through this big ghost attack, how do you do it again? I wanted to come into our world where there’s talk of ghosts but they’re not really credible, and so what would happen in our world if this happened today?

 

gb33-ghostbusters-3-dream-cast-kristen-wiig-and-emma-stoneThere are pros and cons to this approach. On the one hand, I can totally see why rebooting the property and starting from scratch works to Feig and Dippold’s advantage. If the movie functions as it’s own thing, removed from the previous films, then it gives them the ability to establish their own rules as to how the paranormal works in a modern day setting. It also sets a new tone for possible sequels going forward that would allow them to do more world-building, making the movies as funny and scary as they want without having to stay true to what came before. Their Ghostbusters would be “spiritual” successors to Reitman’s in that the general premise would remain the same while giving them the freedom to branch out with their own brand of Ghostbusters.

On the other hand, Ghostbusters and Ghostbusters II never concretely established the mechanics of the paranormal, so it would still be possible for Feig and Dippold to establish their new team of Ghostbusters while building off of the first two films. Yes, the tone of Ghostbusters and Ghostbusters II was mostly lighthearted fun with a few freaky moments, but in the thirty years since Gozer tried to destroy the world and Vigo tried to possess a baby, there’s plenty of room to explore how the world has adjusted to ghosts being a thing and whether or not the Ghostbusters have thrived or faltered.

That’s why I feel like there’s more potential in at least keeping the next Ghostbusters film in the same reality as the first and second. One of the charms of the first film was the idea of treating ghosts like vermin, something that needed to be exterminated with the Ghostbusters taking on the role of blue collar working stiffs who just happen to take them out with highly unstable proton packs. The simplicity of the premise is how easy it would be to introduce new characters into the world.

For the sake of argument, let’s say that the Ghostbusters, in-universe, have expanded their business to other cities outside of New York, recruiting young, eager scientists, engineers, and your typical blue collar types in the same vein as police and fire departments. Depending on your team, there are plenty of ways to introduce the new characters. If Peter Venkman had a local tv show in New York, it’s not out of the question that one of the new Ghostbusters, or all of them, watched his show as children. cartoon ghostbustersRay owned a bookstore, so someone could have been a former employee. Maybe others took classes from Egon in college. Hell, Winston could have taken over the business himself, acting like the beleaguered captain to a bunch of newbie Ghostbusters. Or it could simply be a case of having characters who want to bag ghosts. Look at the plethora of “ghost hunting” reality tv shows; the paranormal is of definite interest to the viewing public and I could see a Ghostbusters parody of those reality shows, only this time the ghosts are proven to be real and the ‘Busters are cashing in on the trend.

Of course, the same parody could occur in a universe where the Ghostbusters are reintroduced via reboot. While trying to be “ghost hunters” a la the tv shows, a group of female scientists and enthusiasts discover real ghosts, which leads them down the path to becoming Ghostbusters. So, yes, it’s possible for in-universe and new universe explanations, but I still like the idea of one of the new Busters being such a fangirl for Venkman’s show that she went into paranormal studies because of him.

Ghostbusters is a franchise made to be updated as new teams are introduced. Dan Aykroyd definitely sees the same potential in the franchise, telling Dennis Miller on The Dennis Miller Show in 2011 that:

What we have to remember is that ‘Ghostbusters’ is bigger than any one component…The concept is much larger than any individual role and the promise of Ghostbusters III is that we get to hand the equipment and the franchise down to new blood.

enhanced-30907-1410210614-1The “new blood” in question may be actresses like Kristin Wiig, Emma Stone, Melissa McCarthy, Lizzy Caplan, Jennifer Lawrence, and Amy Schumer. But the recently leaked emails from Sony reveals another possible spin-off starring Channing Tatum and Chris Pratt, with the Russo brothers (Captain America: The Winter Soldier) producing, that could turn the Ghostbusters franchise into a multi-movie spanning universe where various teams from around the country, or the world, join together to defeat a major threat.

Yes, I know it’s wishful thinking, but in the post-Avengers world of movie making, I guarantee you the thought has crossed the mind of at least one executive at Sony. Anything that can be turned into a franchise of movies with tie-in comics, tv shows, and toy lines is ripe for the picking. So, yeah, DREAM BIG! And much like J.J. Abrams taking on Star Wars VII, Ghostbusters will be in the hands of a director and writer intent on honoring what came before while still pushing forward. There’s also a whole generation of actors who are passionate about being involved in the project because they grew up with the movies. As daunting as the task is to “get it right”, it’s also not about reinventing the wheel. Ghostbusters lends itself to finding new angles of storytelling within a familiar setting. All you need is a team, cool gadgets, some humor, and a lot of ghosts!

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But what are your thoughts on Ghostbusters III? Should they work within the already established universe or branch out on their own? Who would be your dream team of female Ghostbusters?

Sam is joined by her friends Sean and Cara to talk with Phil LaMarr and boy does it get nerdy! Phil is the nerd’s nerd, the geek’s geek and the group get into animation, Star Wars, comic books, Lord of the Rings, and other topics!

Phil LaMarr

Website: http://www.phillamarr.com
Twitter: @phillamarr

Intro music: “French Kiss” by Mrs. Howl

http://mrshowl.bandcamp.com/

http://www.reverbnation.com/mrshowl

California by Edna LepuckiCalifornia

In a post-apocalyptic world without zombies, nuclear war or anything exciting, a couple keeps secrets from each other for some reason. Then some slightly more interesting things happen.

Spoiler Alert: You will be overwhelmed by the mild suspense of this book.
I give it 3 out of 5 Non-Zombie Apocalypses

Next week’s review, returning to the “everyone dies” world of George R.R. Martin.

When we look at feminist texts in the category of fiction, brutality and the subjugation of women are common themes in which authors explore how women strive for or gain agency within a world that has no qualms about denying or silencing them. The realm of science-fiction allows for a more heightened realization of these themes through the fears women have about their BITCH PLANET LOGO 1place in society and how institutions of power reinforce those notions. Science fiction also allows authors to take the combination of fear and reality to their most logical, or illogical, extremes; exposing the raw nerve of women as pawns, and sometimes perpetuators, of corrupt, fundamentalist societies intent on keeping them compliant. In this vein, Kelly Sue DeConnick and Valentine De Landro’s Bitch Planet strikes the right balance between over-the-top prison movie exploitation and biting social commentary.

In the future, not sure how far off but that’s really not important, Earth has taken great leaps to ensure that society is well-ordered, free of “sin”, and most importantly compliant by shipping criminals and radicals off the planet to a prison known as Bitch Planet. Unsurprisingly, all of the prisoners are women who didn’t exactly meet the compliance standards via the rule of law or the perceptions of society. Among the new batch of prisoners are Penelope Rolle, a large woman unafraid to speak her mind and throw her weight around, Kamau Kogo, the fight-saavy presumed volunteer on the station, and Marian Collins, the innocent caught up in the planetary victimization of women.

The CatholicTo be fair, all of the women in Bitch Planet are victims of society in one form or another. While we know some of the prisoners are murderers, we’re not certain of the circumstances that led them to kill. The rest are referred to as radicals, implying that they are political prisoners, demonstrators exposing the reality of a society enforcing compliance whether through speaking out or practicing good old civil disobedience. There is, however, a third category of prisoner, the women who don’t adhere to what men want. While that could come down to just about anything, this particular type of prisoner is mostly embodied in Marian. We learn through dual conversations, one between Marian and the prison’s “Catholic” construct, the other between Marian’s husband and Mr. Solanza, that the two experienced some marital difficulties, which Mr. Collins resolved by having an affair because Marian didn’t excite him anymore. Marian feels guilty that she drove her husband to have an affair, but we’re led to believe that Mr. Collins is trying to get Marian back because of his own guilt in having the affair. The bait and switch occur when we learn that the Mrs. Collins mistakenly being held in detention isn’t Marian, but the youthful and exciting Dawn with whom Mr. Collins had the affair. It strikes a chord immediately because this is how women are already treated in the real world, viewed as nothing more than a means for men to feel good about themselves until they wear out their welcome and are replaced by a newer, younger model.

bitchplanet1-2-05769What hurts the most is that Marian believes it’s her fault for not being compliant to her husband’s desires. It has nothing to do with what she wants or desires. We get a sense of how Marian would fall into this mire of self-esteem in the opening pages as the voice over artist rushes through an unknown city to her job. In the background are advertisements encouraging women to “Eat Less, Poop More” so there’s “Less of You to Love”, “Buy This. It Will Fix You”, and most blatantly “You’re Fat”. All of these ads are aimed at women, drowning them in expectations to be thin and beautiful, devaluing them through body shaming and not-so-subliminal messages. When the voice over gal gets to work, her job is to pose as the voice of a history teacher with the intention of using the recording to play while the Non-Compliants (NCs) are asleep in transit. It’s revisionist history used to indoctrinate these women into the compliant way of thinking.

The religious connotations in Bitch Planet #1 bring to mind Margaret Atwood’s The Handmaid’s Tale in which Judeo-Christian fundamentalism is used to justify and enforce class systems and sexual practices, placing women in the lower classes by virtue of being women. As the “history teacher” speaks, we’re given the “In the beginning…” opening that immediately frames this society within a religious context. Mother Earth is no more. Instead, Space is now the Mother and Earth the Father. The women en route to Bitch Planet are being expelled by their “Father” because of their trespasses of gluttony, pride, weakness, and wickedness, sins revised to specifically speak to gender. They’re beyond correction and so are cast out into the “loving embrace of the Mother”, which further reinforces the idea of women as outsiders. Father Planet is where society thrives, but Mother Space is where the cancers on society go. Their nakedness during transport and upon arrival further shames them as they’re watched over by male security techs and “guarded” by men in masks without discernible features. It’s voyeuristic and uncomfortable, which is indicative of how women feel under the scrutiny of men.

Furthermore, the issue of race isn’t specifically stated, but can be viewed through most of the issue. Marian is the only character referred to as the “white girl” while the rest of the prison is predominantly occupied by black women, which is on point according to Danielle Henderson who states in the back matter that “African American women are three times more likely to be incarcerated than white women, and most often for offenses related to men”. The diversity of the cast, as well as the final BP02twist are done explicitly to show the disproportionate population of women of color who visually represent non-compliance.

Bitch Planet‘s timing couldn’t be more perfect in regards to race and gender issues that are still at the forefront of women’s rights and representation in the media. Kelly Sue DeConnick and Valentine De Landro (whose art is amazing, by the way) have hit the ground running with their unapologetic look at society and women through the lens of science-fiction. This is not a subtle book by any means. Its message is loud and clear from cover to cover, ready to hit you over the head in a way that would make Penny Rolle grin with delight.

Okay, so Krypton isn’t going to actually blow up on SyFy (that’s usually saved for the first 20 minutes of a Superman movie), but in an effort to get back to their roots, ya know back when we knew it as the SciFi Channel, it seems the cable network is ready to dive into the worlds of science fiction and superhero prequels with KryptonKryptonLogo-12801-720x405

Developed for television by David S. Goyer (Constantine, Man of Steel, The Dark Knight Trilogy) and Ian Goldberg (Once Upon a Time), Krypton, unlike Fox’s Gotham, won’t be following a prepubescent Clark Kent who’s already training to be Superman – they already did that on a show called Smallville…sorta – but will instead go back two generations to Kal-El’s paternal grandfather, Seyg-El.

Here’s the official description:

 

Years before the Superman legend we know, the House of El was shamed and ostracized. This series follows The Man of Steel’s grandfather as he brings hope and equality to Krypton, turning a planet in disarray into one worthy of giving birth to the greatest Super Hero ever known.

 

Okay, I’m gonna try to find some positives. On the one hand, exploring the planet of Krypton has a lot of potential for actually diving into the culture of Supes’ birth planet. We only ever get brief glimpses into Krypton’s past in the comics whether through one-shot stories or expository flashbacks, so actually taking the time to look at the people and the environment that led to Superman is interesting. There’s also the possibility of bringing in other worlds and peoples from the science fiction corner of the DC Universe. The Green Lantern Corp would most certainly be out there as well as the Thanagar, Rann, and gasp! Apokolips, so the potential for expanding the DCU without having to shoehorn Kal-El/Clark into the story could work.

son-of-krypton-3On the other hand, we’re still working with a prequel series in which limitations are already set in place. And I’m not just talking about the whole blowing up thing that Krypton does so well. The pilot is being written by Goldberg from an outline provided by Goyer and if you all remember what happened in the beginning of Man of Steel, which Goyer wrote, then we’re still looking at a culture in which genetic purity and a clear caste system are in place and have been for generations prior to Superman’s grandpappy. I’m not saying those parameters aren’t the stuff of great storytelling, but we’re still dealing with a foregone conclusion. Whatever Seyg-El does to try to make Krypton the happiest planet in the galaxy will ultimately be undone by the time his grandson is born. So unless futility is what SyFy is going for, how far can you go with a message of “hope and equality” for Krypton when we’re dealing with a planet full of people doomed by their own hubris?

But, of course, I’m still going to watch it. I’m still watching Gotham, though I wouldn’t say it’s out of enjoyment all of the time. With Krypton, however, there’s at least the chance of a reprieve from unsubtle hints about who so-and-so will end up being once the Wayne boy dons the cape and cowl. Although the trade-off will probably be grandiose speeches about HOPE delivered by Seyg-El to really hammer the point home. Le sigh.

In other news, the Teen Titans based show Titans will be filming their pilot for TNT next year. As reported by Screen Rant:04-teen-titans

 

Titans will revolve around onetime Batman sidekick-turned superhero Dick Grayson, alias Nightwing, as he puts together a band of new superheroes whose ranks will also include classic Titans like Starfire and Raven

 

They go on to say that the inclusion of Cyborg is possible, but may not happen since he’ll be portrayed by Ray Fisher in Batman v Superman: Dawn of Justice, Justice League 1 & 2, and the character’s solo movie. Of course, we’ll already have two different Flashes on the big and small screens, so what does it matter if there’s more than one guy playing Cyborg?

I’m definitely intrigued by the idea of a Titans show, but TNT only has one effects heavy program under their belt, Falling Skies, and The Librarians didn’t have the most stellar effects in the pilot. That just means we’ll have to wait and see what they bring to Titans since they’ll at the very least have an alien princess who can fly and shoot energy as well as a magically inclined young woman whose father is the ruler of a hell dimension on the roster. No mention has been made of whether Beast Boy, Kid Flash, Aqualad, or Wonder Girl will be featured either and all of them require a fair amount of special effects to pull off their abilities.

So that’s two more shows added to the ever-growing empire of DC Comics live action tv shows. And just so you don’t get lost regarding which show is playing on which network:DC TV

Gotham – Mondays on Fox

The Flash – Tuesdays on the CW

Arrow – Wednesdays on the CW

Constantine – Fridays on NBC

In Development – iZombie for the CW, Supergirl for CBS, Krypton for SyFy, and Titans for TNT

 

But what do you think? Are we getting oversaturated with tv shows from WB and DC? Do you want to watch a prequel series about Krypton? And if this trend continues, will we get Themyscira soon?

Perhaps the first part of the crossover event you didn’t know you wanted! Sam and Jack Chambers of Inter-Comics Podcast talk all things Wonder Woman with plenty of Superman and Batman talk to create a great rift in the podcast continuum.

Wonder Woman Crisis

Inter-Comics Podcast

Twitter

Jack Chambers

Into music: “French Kiss” by Mrs. Howl

Gone Girl by Gillian Flynn 19288043

It’s like a Dateline Murder Mystery, until it’s not. Then the ending trips and falls on its face.

Spoiler Alert: Someone goes missing, possibly a girl.
I give it 3.5 out of 5 Missing Persons Reports

Next week’s review, a book recommended by both Stephen Colbert and Sherman Alexie, what could go wrong?

what-are-you-doing-vincent

Before you see him appear as Kingpin on the Daredevil series, you can listen to Vincent D’Onofio (Law and Order: Criminal Intent, Men in Black, The Cell), in collaboration with musician Dana Lyn, talk about being a hamster in the debut track from his forthcoming spoken word punk album Slim Bone Head Volt. As reported by the AV Club, Slim Bone Head Volt came about while D’Onofrio and Lyn were rehearsing for an off-Broadway play. The two

came together to mix her experimental music with his free-form words, described in a press release as springing from “the free-form system of Stanislavski mixed with the daring of Sturm Und Drang and the broken fourth wall of improvisation.”

The debut song, “I’m a Hamster” is a throwback to the beat poetry of Allen Ginsburg and William S. Burroughs with Lyn’s music bringing to mind the soundtrack of Naked Lunch. It’s insane, hilarious, and awesome. Take a listen!

Slim Bone Head Volt will be released on March 3, 2015 via Buddhabug Records. In the meantime, what do you think of “I’m A Hamster”?

vincent-donofrio-and-dana-lyn-pic

With the release date of August 5th, 2016 looming on the horizon and an April, 2015 start for shooting already in place, it was about time that a cast was announced for Suicide Squad, the third film in what will be Warner Bros. and DC’s Cinematic Universe following Batman v Superman: Dawn of Justice. Yes, we’ve been bombarded with rumored cameo after rumored appearance of every hero and villain in the DC Universe for Bats vs Supes, but now we have some confirmation for the next film in the franchise and the cast is definitely interesting.suicide_squad_0023

The Suicide Squad, also known as Task Force X, is a group of villains in the DCU put together to go on deadly missions for ARGUS under the ever watchful eye of Amanda “The Wall” Waller. Some are in it for the redemption while others just figure it’s exchanging one prison for another. They’re at Waller’s beck and call and if someone should think of breaking ranks and running off, the explosives grafted onto their spines tend to keep them on the straight and narrow…so to speak.

The film will be written and directed by David Ayer, best known for movies like Training Day, End of Watch, The Fast and the Furious, and Fury. Warner Bros. President of Creative Development and Worldwide Production, Greg Silverman, said of Ayer and the cast:

We look forward to seeing this terrific ensemble, under Ayer’s amazing guidance, give new meaning to what it means to be a villain and what it means to be a hero.

 

Here’s the official cast thus far:

Will Smith – Deadshot

Will-Smith-Deadshot

Margot Robbie – Harley Quinn

margot-robbie-harley-quinn

Jared Leto – The Joker

leto-jokerbar

Jai Courtney – Captain Boomerang

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Cara Delevingne – Enchatress

dc-enchantress

Tom Hardy – Rick Flagg

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So, yeah, Warner Bros. isn’t skimping on the star power, that’s for sure. Rumors still persist that Jesse Eisenberg will reprise his role as Lex Luthor in the film as well, which could make sense if they were setting up the political angle Luthor is often steered towards since it gives him and even more insidious position as a politician draped in the American flag while conducting less than legal operations on the side. For Superman killing purposes, of course.

AMANDA_WALLER_batman_062011The inclusion of the Joker gives me reason to believe that the movie might follow a similar narrative to the direct-to-video movie Batman: Assault on Arkham (2014) that featured several of the same heroes in the cast breaking into Arkham Asylum to extract information from the Riddler’s cane. The storyline eventually crosses paths with Batman’s B-plot about getting information about a dirty bomb Joker planted somewhere in Gotham. I could see Ayer taking inspiration from this since I don’t think Joker would ever be an actual member of Suicide Squad. He’s more of a reason to bring Harley into the fold, though it’s worth assuming that he’ll be at least one of the primary antagonists. The other, of course, being the squad’s creator, Amanda Waller.

Waller remains the holdout in terms of the main cast, though it’s rumored that Warner Bros. is looking at Octavia Spencer, Viola Davis, and Oprah Winfrey with Winfrey possibly being their first choice. So…I really hope it isn’t Oprah. Unless the idea is to get a lot of free promotion out of Oprah’s name and brand, which I wouldn’t put it past the company, I think her being in the film would be a huge case of stunt casting. I know Oprah has quite a few dramatic roles under her belt, but I just don’t see her pulling off the pragmatic malice of Waller. Although, if she does end up getting cast. I imagine the Book Of The Month reading is going to start looking very different.Suicide-Squad-Oprah-Amanda-Waller

For my money’s worth, Spencer or Davis would make a great Waller, but I could also see Alfre Woodard, Angela Bassett who took on the role in Green Lantern, Pam Grier who played her on Smallville, or even the woman who voiced Waller in the DC Animated tv shows and movies, CCH Pounder. All of them are phenomenal actresses and would bring the right amount of badassery needed to pull off the role.

Until then we can only speculate, though I know the question we all have in our minds is whether Jared Leto will be as memorable of a Joker as Caesar Romero?

But what do you think of the casting choices and who do you think would make the best Amanda Waller?

amandawaller