Posts Tagged ‘Warner Bros.’

At least somebody understands that just because you’re a billionaire playboy who inspires fear in the hearts of criminals as a means to avenge the death of your parents when you were a kid doesn’t mean you can’t smile every once and a while.

Truly one of the standout characters from the LEGO Movie, Batman (voiced brilliantly by Will Arnett) is back in his own solo flick which still promises to give us plenty of action, DARKNESS!, and a few cameos from some of those other heroes Bats likes to pal around with. The teaser trailer released today may be Warner Bros. riding on the premiere of Batman v Superman, but if early reviews are any indication as to how audiences may react then perhaps the studio is trying to balance the grimdark of the Justice League prelude with a Batman who loves what he does and has a sweet bat-cave! If anything the movie promises to keep nerds like me busy looking for all of the Bat-references and Bat-Easter eggs.

So here ya go, the LEGO Batman teaser:

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Yeah I know we’re at least two years away from this being any sort of reality, but if Warner Bros. and DC Comics want to make that June 23rd, 2017 release date, then they’re going to have to assemble a cast some time soon. I’d say San Diego Comic-Con would be the best place for such announcing, but I’m not holding my breath. Anywhoozle, Featured_Batman-WonderWoman-Superman_EWwhile Gal Gadot’s acting prowess as Diana of Themyscira/Wonder Woman has yet to be seen, there are a number of actresses who would do a bang up job filling the ranks of Diana’s sister Amazons. While no one is certain how much time will be spent on Themyscira, it’s still important to feature the Amazons in some significant way. The Amazons, like Diana, can embody a wide range of archetypal and modern roles, but you need the right actresses to pull it off.

So, here is just a small offering of actresses who could grace Themyscira with their presence. This is only scratching the surface, mind you, because there are a lot of Amazons.

 

 

Gwendoline Christiegwendoline

Was there really any doubt that she’d end up on this list? One of the breakout characters on HBO’s Game of Thrones, Gwendoline Christie’s Brienne of Tarth has been responsible for a lot of “fuck yeah, Brienne!” moments as the character evolved amidst the War of Five Kings and her interactions with Catelyn Stark, Jamie Lannister, and Podrick Payne. Through it all, Brienne stubbornly maintained her core tenants of loyalty and honor, naming her sword Oathkeeper as a constant reminder of who she is and the promises she made to Renly Baratheon and Catelyn Stark. Christie’s work as Brienne has led to roles in The Hunger Games and the upcoming Episode VII of the Star Wars Saga, both of which have cast her in warrior-type roles. Casting her as an Amazon wouldn’t be that far out of left field and I can easily see her as a confidante to Diana or one her primary antagonists on Themyscira. Either way, a fight scene will ensue and it will be glorious!

 

 

Laverne CoxSophias1promo2_crop

The breakout star and personality of Orange is the New Black, Laverne Cox has proven herself to be an amazing actress as well as a compassionate and compelling representative for the transgender community. The presence of Cox in the ensemble cast of women emphasizes the importance of media representation and acceptance of who she is rather than dictate who she should be. The fight for complete LGBTQ acceptance continues, but it would say so much if Laverne played a character who stood side-by-side with Wonder Woman in battle or counseled her on Paradise Island, not just as a transgender woman but also as a woman of color. Of all the characters in the DC Universe, Wonder Woman has the most love and compassion for all living beings, but especially women, and certainly the solo film should find a way to display that whether through actions or dialogue. So far, Warner Bros. and DC have been proving their openness to casting people of color within their ensemble tv shows like Arrow, The Flash, and the forthcoming animated series Vixen and spinoff miniseries Legends of Tomorrow. The casting news for the movies have followed suit with Jason Momoa as Aquaman and Gal Gadot as Wonder Woman. There is a willingness on the part of WB and DC to diversify and the Amazons would certainly embody such a philosophy.

 

 

Gina Torresginatorres_8497

Probably everybody’s first choice for Wonder Woman, especially if this had been back in the days of Firefly. Had WB actually put the green light on Joss Whedon’s Wonder Woman script, Gina Torres’ casting in the lead role would have been a moot point because “duh”! Unfortunately, we don’t live in that reality, but that doesn’t mean Torres can’t have a role in shaping the Wonder Woman universe. The epitome of the “strong female character”, Torres has had a number of roles that make her casting as an Amazon a no brainer. From Nebula on Hercules: The Legendary Journeys to Zoe on Firefly and Jessica Pearson on Suits, Torres is a powerhouse actress with a loyal fanbase that would lose their minds if she showed up on Themyscira. Plus she already played Super Woman in Justice League: Crisis on Two Earths, the evil equivalent of Wonder Woman. She’s got this, so, yeah, WB get on it!

 

 

Tatiana Maslanyorphan-black-cast

If you’ve been watching Orphan Black, and I’m pretty sure you are, then you know exactly why Tatiana Maslany should be an Amazon. Playing no less than nine separate characters as part of Project Leda, Maslany has given each clone a distinctive voice and personality, which one really can’t appreciate until one clone has to impersonate another. Trust me, it’s brilliant. Her ability to fluidly transition from psychopath to soccer Mom is amazing and I’m pretty sure Warner Bros. would be missing out on a huge opportunity if they didn’t attach her to one of their DC movies. Wonder Woman makes the most sense right now, but who knows what movies lie in the future? There’s no shortage of potential for Amazon movies or build a movie around her amongst the myriad magical characters currently in need of an actress to bring them into the forefront.

 

Michelle YeohMichelle Yeoh in a scene from CROUCHING TIGER, HIDDEN DRAGON, 2000.

I love Michelle Yeoh! Even when she’s in mediocre movies like The Mummy: Tomb of the Dragon Emperor, I still love her because she’s often the best part of those movies. A dancer turned martial arts actress in China, Yeoh gained fame from Western audiences after her appearances in Tomorrow Never Dies, Memoirs of a Geisha, and Crouching Tiger, Hidden Dragon. It’s worth noting that Pierce Brosnan referred to as the “female James Bond” because of her professionalism and skills as a combat actress. Yeoh was also in one of my favorite movies, Sunshine, where she gets a beautifully shot death scene if I do say so myself (and I do). Yeoh’s presence in Wonder Woman, especially on Themyscira, would further show that the Amazons are a multicultural society and a safe haven for those lost at sea.

 

 

Nikki Beharie and Lyndie Greenwoodsleepy hollow

All the Sleepyheads out there will agree that one of the best things to come out of Sleepy Hollow has been the relationship between estranged sisters Abbie and Jenny Mills played by Beharie and Greenwood respectively. More so than Mills and Ichabod Crane’s bond as witnesses, Abbie and Jenny’s reunion and their slow climb towards forgiveness and understanding has been a highlight of the show, for me at least. On their own, Beharie and Greenwood kick all kinds of ass defending Sleepy Hollow from the forces of evil, but whenever the two share scenes together it’s a wonderful display of actresses feeding off the other and elevating what could be considered very campy material. I believe that they would bring that same energy and elevation to Wonder Woman, working together or separately.

 

 

Rila Fukushimathe-wolverine-yukio

Yes, I know she’s already played Katana on Arrow and Yukio in The Wolverine, but here’s the thing: she was the best part of The Wolverine. Really, every scene she shared with Hugh Jackman was worth watching and I would’ve loved to see a movie all about the various adventures of Yukio and Logan, especially when the movie indicated that might happen towards the end. Then they did the Days of Future Past tag and all my hopes and dreams were dashed. As far as her role on Arrow, the WB has confirmed they have no plans to connect their movies and television shows, so why not put Fukushima on Themyscira? She can fight, she can deliver a good one-liner, it’s really just a matter of time before someone casts her in a franchise-related role. I can’t think of any better place than an island of Amazon warriors, can you?

 

So those are my picks, but who do you think should show up on Paradise Island? Let me know in the comments!

One trailer shy of a Furious 7 joke. Sigh.

I know a lot of people are concerned that the bubble’s going to burst on movies geared towards those of the geekier sort. If, however, the quality of the six movies whose trailers dropped within the last two weeks is any indication of their quality, then I think we’re good, where movies are concerned, for the next couple years. The last four days alone have seen most of those trailers released into the murky atmosphere of the internet, so I thought I’d go ahead and give you my thoughts on these films based on the most recent and previous trailers.large_trailer

Spoiler alert: I plan to see all of these films. I may have reservations about a few, some more than others, but I’m also the type of person who likes to experience the entire movie before I decide whether it’s the new love of my life, the biggest assault on the senses since Batman & Robin, or a disposable piece of fluff.

I’m just that type of girl. Go figure. Anywho, on to the trailers.

Second spoiler warning: The Terminator Genisys trailer gives away the biggest twist of the movie, so if you’ve managed to avoid it and want to remain in the dark I’d recommend scrolling down really, really fast and move on to the next trailer at a furious pace!

Jurassic World – June 12, 2015

Since the first trailer dropped I’ve been on board with the concept of Jurassic World as the logical extension of the original Jurassic Park (1993). Park and World share the same themes of scientific and corporate hubris with World upping the ante as the genetically modified dinosaur created to boost attendance wreaks havoc on the park. Previous trailers and clips have shown the movie will definitely be calling back to some of the more well-known moments in the first film while sticking to the tried and true formula of monster movie scares, dinosaur fights, and possibly some philosophical discussion about blah, blah, blah and oh my God Chris Pratt on a motorcycle riding with his velociraptor hunting pack! Ahem. Sorry, what was I talking about? Anyway, at the very least the movie promises to at least be visually stunning with each park attraction having a very Disney-esque immersion happening. And I know this is wishful thinking, but if there’s any chance Jeff Goldblum’s Ian Malcolm could make a for real cameo, I’d consider this movie a win.

Terminator Genisys – July 1, 2015

Yeah, I’m not sure why a trailer was made that gives away what would arguably be the biggest mind-blowing moment in the movie, but there ya go. Either the filmmakers and the production company really think Arnold Schwarzenegger’s return to the franchise will put butts in seats just because or they’re really worried no one will see this movie because the last two installments didn’t do them any favors. To be fair, the premise is intriguing. With all the time travel that goes on in the myopic missions of machines trying desperately to eliminate one dude from the timeline, the idea of alternate timelines and what if scenarios actually makes sense. Of course, the type of time travel setup in the Terminator movies requires time to be linear otherwise John Connor’s future would keep changing. There’s also the notion of fate and fixed points in time because the machines keep sending assassins to kill John and his mother and yet they never succeed. But I’ve already put too much thought into this movie. Sorry, time travel as a narrative device is one of those things I obsessively pick apart. But hey, Emilia Clarke looks like a rad young Sarah Connor!

Ant-Man – July 17, 2015

I like the trailers for this movie more and more. Yes, it’s disappointing that Janet Van Dyne, a founding member of the Avengers has been all but written out of the Marvel Cinematic Universe, but here’s hoping that Evangeline Lilly’s Hope Van Dyne will become the Wasp and give Ant-Man a run for his money! After the teaser trailer left something to be desired based on the performance of previous Marvel trailers, this one definitely makes up for it in every way possible. Better jokes showing off Paul Rudd’s endless charm as thief turned hero, Scott Lang, and a nice hero turned mentor dynamic set up between Lang and Michael Douglas’ older Hank Pym. Since Hank was also a founding member of the Avengers in the comics, it’ll be interesting to see how they incorporate the Ant-Man origins into a world where superheroes have only been a recent thing. Plus, I’m really digging the effects as Ant-Man and Yellowjacket shrink and grow during their fights. Even though the climactic battle will occur in Scott’s daughter’s room among her toys, director Peyton Reed promises there’s much more to it than just a cute shot of an epic battle on a Thomas the Tank Engine.

Fantastic Four – August 7, 2015

The Fantastic Four…with powers! Much better, 20th Century Fox. Like Ant-Man, the Fantastic Four teaser trailer didn’t exactly wow anyone, but this trailer feels like we’re getting a better idea of what the movie will actually be about. Yes, the premise for Marvel’s first family has always been a bit hokey, but there’s plenty to work with as the crux of the movie will center on Reed Richard’s genius that leads to the discovery of another dimension and ultimately changes him and his friends into superpowered heroes. Oh, and Doctor Doom is there too. Doooooom! Reed’s sense of responsibility and his guilt are a huge driving force behind the character so I’m interested in seeing how this will play out in the movie. Crucial to this is the friendship between Reed and Ben Grimm, so hopefully the dynamic between Miles Teller and Jamie Bell has some meat to it. Otherwise we’re just looking at four strangers who happen to get cosmic powers, live together and have their lives taped. Like a superhero Real World. So, yeah, I like what I see from director Josh Trank so far. The effects look amazing and there was actually some humor. Thumbs up for now!

Star Wars: Episode VII – The Force Awakens – December 18, 2015

As someone who only looks at Star Wars through the movies (I know, I know Clone Wars and Rebels are part of the canon), I held out a lot of hope for Episode VII after being terribly disappointed by the prequels. Thankfully, it looks like J.J. Abrams will be doing right by the franchise because I love every friggin’ second of this trailer. The opening shot of the Star Destroyer is gorgeous and Luke’s narration made all the goosebumps happen. Do I really need to explain how awesome that final shot was? Do I? It’s Han and Chewie, for cryin’ out loud! This looks like the movie we’ve been waiting for as the older generation gets ready to pass the baton down to the next. How John Boyega, Daisy Ridley, and Oscar Isaac’s characters factor into the universe post-Return of the Jedi still remains unclear, but that’s part of the fun. If all I have going into this movie are the ridiculously awesome visuals, then I’m still going in content with my ignorance of the plot. I want to be surprised by this movie and fall in love with Star Wars all over again.

Batman v Superman: Dawn of Justice – March 25, 2016

Okay, not gonna lie, I’ve been down on the burgeoning DC Cinematic Universe for a while. Not because I dislike DC Comics, quite the opposite. I’ve been a DC fan since before I can remember, but Man of Steel was so underwhelming – for me – that it’s going to take a lot to change my mind about what this franchise can offer. At the very least, Batman v Superman holds promise. It won’t be out for another year, but I’m hoping Chris Terrio’s script tackles the rivalry and eventual friendship of Bats and Supes in a way that at least makes sense despite borrowing heavily from Frank Miller’s The Dark Knight Returns wherein their decades long friendship falls apart. Throw in a dizzying amount of cameos from other DC heroes and it’s quite the ambitious start on the road to Justice League. The religious connotations are, of course, present. Looks like Zack Snyder will be following up on the destruction of Metropolis and what it means to have a superpowered “savior” among us. Supes and religion isn’t new territory and Snyder isn’t shying away from the obvious symbolism, so hopefully the script handles it with some subtlety…please? Other than that, Henry Cavill still looks great as Superman and Ben Affleck looks good for the few seconds we get of him as Bruce Wayne and Batman. I’m pretty sure people will be griping about the “Batman gravel” in his voice, but those things don’t bother me. I just want to be able to walk out of a theater next March pumping my fist in the air and shouting “Yeah, Bats and Supes!”

So those are the most recent trailers. What did you guys think? Which movies are you the most excited for and does the trailer factor into that excitement?

With shooting due to start sometime this year, we’re finally getting some news regarding who will fill the roster for TNT’s foray into the superhero genre with Titans. Based on the Teen Titans from DC Comics as well as New Teen Titans, and just simply Titans if you’ve followed the team up until the New 52 reboot, Titans, according to the leaked script, will feature Dick Grayson/Nightwing, Barbara Gordon/Oracle?, Hank Hall/Hawk, Dawn Granger/Dove, with Titansappearances towards the end of the pilot by Rachel Roth/Raven and Koriand’r/Starfire. The late appearance of the final two is most likely due to not wanting viewers overwhelmed by so many characters, or the pilot is a two-parter so as to give the characters room to breathe. Fingers crossed.

It’s definitely an interesting mishmash and not a lineup I was expecting at all. It’s essentially a combination of Teen Titans and Birds of Prey since Barbara will be in a wheelchair and acting as Oracle, though her hacker identity isn’t featured in the script. The exclusion of Cyborg and Beast Boy, based on the popular lineup for the Teen Titans cartoon, is probably because Beast Boy’s ability to change into any animal would be too costly for the show’s budget and Cyborg has been deemed hands off because of the up-coming Justice League movies and his solo film. If that’s the case with Cyborg, it’s still odd considering he’s so well-known for being in the Titans and Warner Bros. doesn’t seem to have a problem with two guys playing the Flash in the movie and television universes. Of course, that doesn’t mean the characters won’t birdsofprey12658appear in the show, but it may be in the form of supporting cast or guest appearances. However, with the exclusion of Starfire, the cast could use a person of color because it’s not looking all that diverse; the exception being the 4:2 ratio of female to male cast members.

Believe me, it’s very rare for a superhero cast to have more women on the team than men unless the book or show is specifically an all-female team. If you were to take a look at the casts currently on television, Marvel’s Agents of S.H.I.E.L.D. has the most balanced cast of about 4 female regular leads and 5 male regular leads; Arrow comes in next with 3:4, The Flash with 2:5, Agent Carter with 2:5, and Constantine with 1:3. Gotham would be the equivalent of Agents of SHIELD with the addition of Morena Baccarin putting the cast at 6:8, but the ensemble usually favors the male regulars since the cases revolve around Jim Gordon, meaning characters like Selina Kyle, Ivy Pepper (sigh), or Renee Montoya end up taking a backseat for several episodes. So it’s worth noting that Gotham has more female characters than any of the other shows but doesn’t use them as often. tumblr_nezyn6sS9v1t7nmyno1_500

My biggest worry about the inclusion of Barbara Gordon is the love triangle that seems inevitable between her, Nightwing, and Starfire. In the comics, Babs was never part of the Teen Titans. After getting shot by the Joker and ending up paralyzed from the waist down, she created the Oracle persona in order to continue fighting crime by being the eyes and ears of practically the entire DC Universe. Eventually this led to becoming leader of the Birds of Prey, an all-female team that occasionally had some men on the roster. In lieu of Cyborg’s usual role as tech expert on the team, Barbara makes sense to replace him, but if the intention is to have her there so the show can tease will-they-or-won’t-they between her and Dick or Dick and Starfire, then that’s gonna get old real quick. Babs, Dick, and Kori are all great characters in their own right and they deserve good writing and character development. I’m not saying there can’t be tension – the comics have been teasing both couples for so long it’s not out Nightwing-and-Starfire-dc-comics-14486473-300-455of the question – but it has to be more than Babs and Kori fighting for Dick’s affections or Dick waffling between the two. There’s history between all of them, which can make for great stories that don’t have to have a romantic bent. But this is only speculation based on cast lineup, so the show could very well prove me wrong.

Also worth noting is Titans will be the first live action debuts for Nightwing and Oracle. Granted, this will be true for all of the Titans, but Nightwing and Oracle are fairly special cases because of the fanbase and the characters’ history in media. Because of the longevity of the character, more people associate Dick Grayson with being Robin because they read the Golden and Silver Age comics or watched the Batman TV show from the 60s. The cartoons often default to Dick as Robin too, utilizing the contrasting personalities of Dick and Bruce to form the Dynamic Duo. It wasn’t until Batman: The Animated Series was revamped as The New Batman Adventures in the late 90s that we saw the first appearance of an animated Nightwing. Since then, almost every cartoon with Dick Grayson features either a glimpse of Nightwing or a progression from sidekick to solo hero. The movies, thus far…oh there’s not much to talk about.

Oracle has been featured even less. As far as iconography goes, Babs has always been Batgirl outside of the comics and any chance of her going through the violent circumstances that make her Oracle are either sidestepped or Nightwing-Titans-Togethermissing entirely. Aside from the Birds of Prey TV show from 2002, only The Batman in the episode “Artifacts” has featured Barbara as Oracle. It’s a step in the right direction to feature a handicapped superhero because, right now, representation and visibility are paramount. DC Comics got a lot of flack for making Barbara Batgirl again, so perhaps Titans can offer us a kickass Babs who just happens to be in a wheelchair.

Despite some of the misgivings I have, I’m definitely looking forward to seeing Titans when it premieres. There are a lot of heroes and heroines in the DCU that need some time and attention and hopefully this show will do right by a few more. And with this particular roster, there’s room for a lot of characters to show up.

Also, was this the role Steven R. McQueen was hinting at?

With the release date of August 5th, 2016 looming on the horizon and an April, 2015 start for shooting already in place, it was about time that a cast was announced for Suicide Squad, the third film in what will be Warner Bros. and DC’s Cinematic Universe following Batman v Superman: Dawn of Justice. Yes, we’ve been bombarded with rumored cameo after rumored appearance of every hero and villain in the DC Universe for Bats vs Supes, but now we have some confirmation for the next film in the franchise and the cast is definitely interesting.suicide_squad_0023

The Suicide Squad, also known as Task Force X, is a group of villains in the DCU put together to go on deadly missions for ARGUS under the ever watchful eye of Amanda “The Wall” Waller. Some are in it for the redemption while others just figure it’s exchanging one prison for another. They’re at Waller’s beck and call and if someone should think of breaking ranks and running off, the explosives grafted onto their spines tend to keep them on the straight and narrow…so to speak.

The film will be written and directed by David Ayer, best known for movies like Training Day, End of Watch, The Fast and the Furious, and Fury. Warner Bros. President of Creative Development and Worldwide Production, Greg Silverman, said of Ayer and the cast:

We look forward to seeing this terrific ensemble, under Ayer’s amazing guidance, give new meaning to what it means to be a villain and what it means to be a hero.

 

Here’s the official cast thus far:

Will Smith – Deadshot

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Margot Robbie – Harley Quinn

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Jared Leto – The Joker

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Jai Courtney – Captain Boomerang

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Cara Delevingne – Enchatress

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Tom Hardy – Rick Flagg

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So, yeah, Warner Bros. isn’t skimping on the star power, that’s for sure. Rumors still persist that Jesse Eisenberg will reprise his role as Lex Luthor in the film as well, which could make sense if they were setting up the political angle Luthor is often steered towards since it gives him and even more insidious position as a politician draped in the American flag while conducting less than legal operations on the side. For Superman killing purposes, of course.

AMANDA_WALLER_batman_062011The inclusion of the Joker gives me reason to believe that the movie might follow a similar narrative to the direct-to-video movie Batman: Assault on Arkham (2014) that featured several of the same heroes in the cast breaking into Arkham Asylum to extract information from the Riddler’s cane. The storyline eventually crosses paths with Batman’s B-plot about getting information about a dirty bomb Joker planted somewhere in Gotham. I could see Ayer taking inspiration from this since I don’t think Joker would ever be an actual member of Suicide Squad. He’s more of a reason to bring Harley into the fold, though it’s worth assuming that he’ll be at least one of the primary antagonists. The other, of course, being the squad’s creator, Amanda Waller.

Waller remains the holdout in terms of the main cast, though it’s rumored that Warner Bros. is looking at Octavia Spencer, Viola Davis, and Oprah Winfrey with Winfrey possibly being their first choice. So…I really hope it isn’t Oprah. Unless the idea is to get a lot of free promotion out of Oprah’s name and brand, which I wouldn’t put it past the company, I think her being in the film would be a huge case of stunt casting. I know Oprah has quite a few dramatic roles under her belt, but I just don’t see her pulling off the pragmatic malice of Waller. Although, if she does end up getting cast. I imagine the Book Of The Month reading is going to start looking very different.Suicide-Squad-Oprah-Amanda-Waller

For my money’s worth, Spencer or Davis would make a great Waller, but I could also see Alfre Woodard, Angela Bassett who took on the role in Green Lantern, Pam Grier who played her on Smallville, or even the woman who voiced Waller in the DC Animated tv shows and movies, CCH Pounder. All of them are phenomenal actresses and would bring the right amount of badassery needed to pull off the role.

Until then we can only speculate, though I know the question we all have in our minds is whether Jared Leto will be as memorable of a Joker as Caesar Romero?

But what do you think of the casting choices and who do you think would make the best Amanda Waller?

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In case the title didn’t tell you the big news, allow me to reiterate: Michelle MacLaren will be directing the 2017 solo Wonder Woman movie! But wait, there’s more! MacLaren, most well-known for directing episodes of Breaking Bad, The Walking Dead, and Game of Thrones, will also be part of the development stages of the movie, working with the as yet unknown screenwriter(s) to craft the movie from the ground up. And here’s why the news is awesome!

Since WB/DC made the announcement not too long ago that Wonder Woman would indeed be getting a solo film in 2017, following Suicide Squad but prior to Part 1 of the Justice League movie, the question weighing over many a fan-person’s mind was whether or not any women would actually be involved with the movie besides Gal Gadot portraying her on-screen. Not that it was a requirement to have a female director or screenwriter, but given that this would be Wondy’s solo movie, though not her first appearance on the big screen – Zack Snyder, Chris Terrio, and David S. Goyer will be handling that in Batman v Superman: Dawn of Justice – a lot of fans believed the female perspective in filmmaking, still a very underrepresented voice in the action world, would be better suited to 1771250-wonder_woman_40DC’s most recognizable and iconic female superhero. And it seemed WB was finally listening. The short list for Wonder Woman directors included MacClaren as well as The Babadook director Jennifer Kent and Leslie Linka Glatter, director and co-producer for Homeland.

When the rumors began that WB was looking for a female director to helm the film, many lists included pretty much every female director who’s done an action movie within the last decade and beyond. Kathryn Bigelow, the first woman to win the Academy Award for Best Director for The Hurt Locker (2008), was at the top of most lists with Deep Impact‘s (1998) Mimi Leder and Punisher: War Zone‘s (2008) Lexi Alexander showing up as well. There were also mentions of Twilight director Catherine Hardwick, Rachel Talalay (Tank Girl), and even Julie Taymor (The Tempest, Across the Universe). Alexander seemed to be getting quite a lot of attention, but seemed to have no desire to pursue the project, saying:

“Imagine the weight on my shoulders. How many male superhero movies fail? So now, we finally get Wonder Woman with a female director, imagine if it fails. And you have no control over marketing, over budget. So without any control, you carry the fucking weight of gender equality for both characters and women directors. No way.”

[Source: Fast Company]

Alexander isn’t wrong in her summation of how Hollywood’s standards apply to female lead movies and women in the industry. As far as superhero movies go, Wonder Woman is a big deal and anyone tapped to take the reins on the project is going to be under a huge amount of pressure to get the character and the tone right. Even in this world of instant remakes and reboots, especially where the superhero genre is concerned, the Wonder Woman movie has an added layer of expectation weighing it down. We’ve had umpteenth numbers of Superman, Batman, Spider-Man, and X-Men movies, but Wonder Woman’s debut has a finite quality to it, one that is ultimately relying on the solo film to justify the continued existence of the character outside of team-up movies. Granted, a lot of this is pressure we the fans are putting on the project but it’s as much of a reaction to how female lead movies have been perceived by Hollywood and the failure of pretty much every movie starring a superheroine. WW

The choice of MacLaren to direct and develop Wonder Woman is one of the best decisions made by WB since finally announcing a Wonder Woman movie. Though her background is entirely in television, MacLaren has experience directing and producing within multiple genres. Her work on The X-Files, The Walking Dead, Breaking Bad, and Game of Thrones gives her a wide berth of experience, something that can only benefit a character like Wonder Woman. Diana’s backstory involves Greek gods and goddesses, Amazons, and the human element of the modern world. There’s as much action as there is fantasy in her neck of the DC Universe, which MacClaren is exceedingly qualified to pull off.

And with the addition of MacLaren being involved in the development of the film, working with the writers and producers instead of just directing from someone else’s outline, there’s plenty of room for her to really mold the character. Yes, we’ll be seeing Diana in Batman v Superman, but it’s more than likely a glorified cameo, which means the solo film is really where we’ll get to see Gal Gadot hopefully shine and MacLaren’s vision for the character realized. There’s definitely a lot riding on this movie, but it’s good to know that WB has at least put the film in the hands of someone we can all rally behind.

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Okay, looks like Warner Bros. and DC Comics finally decided to show their hand. While many a DC fan has had to put on a brave face and confidently reassure others that the DC Cinematic Universe will eventually catch up to Marvel, even with the 8-year head start, there’s often a bit of hesitation. DC’s Cinematic foundation started on shaky ground among fans with the divisive Man of Steel and the ever-growing cast of Batman v Superman: Dawn of Justice still has us scratching our heads over the nature of all the reported cameos. Instead of building their world, Warner Bros. and DC looked like they were trying their damnedest to throw every hero in the DC Universe into one film, reversing Marvel’s formula of solo movies leading to a team up film. It also didn’t help that WB pushed back the release of Dawn of Justice to May of 2016 only to push it up to March in order to avoid direct box office conflict with Captain America 3. And even though WB/DC claimed to have nine movies lined up through 2020, Marvel still trumped them with films scheduled for release through 2028.

Yesterday, however, WB/DC, after sporadic announcements about their films including the casting of Dwayne “The Rock” Johnson as Black Adam for the upcoming Shazam movie, finally gave us a map of their cinematic universe through 2020.

 

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Obviously most of these films aren’t surprising. We’ve known about Justice League and Shazam for a while and Suicide Squad was only recently announced. The most surprising part of this lineup is the splitting up of Justice League into two films, something we’ve only seen with the final movies of book adaptation series, and their placement in the order; part one will follow the Wonder Woman solo movie with part two released two years later after solo movies for the Flash, Aquaman, and Shazam. It’s an odd thing to do when one would logically assume the two films would be one continuous story. Breaking them up with three solo films, presumably origin stories, in the middle seems like a bit of a gamble. Of course, the two Justice League movies could technically be standalone movies with the second part acting as an extension of the finished story from part one with the films sandwiched between adding to the build up. Or they could be a bunch of solo origin stories with no connection to the Justice League narrative. Either scenario is likely until plot details are confirmed – the Schrödinger’s cat of fan speculation, if you will.

Oh, and before I forget…

Ahem!1280-wonder-woman-610x343

OHMYGODWE’REGETTINGAWONDERWOMANSOLOMOVIE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Okay, Sam, calm down. Deep breaths. In and out. There we go. Now…continue.

So, yeah, we’re actually going to get a Wonder Woman solo film before Justice League! The assumption is it will be some sort of origin story since producer Charles Roven recently let slip that her backstory would be more in line with the New 52 comics where Diana learns she’s a demigod, the daughter of Hippolyta and Zeus. The solo movie could potentially piggyback off of Diana/Wonder Woman’s cameo (however large the role is) in Batman v Superman, telling her origin in its entirety for the cinematic universe. Or the film could go with what seems to be the most popular narrative structure of WB/DC, non-linear storytelling with more flashbacks than you can shake a stick at. One can only hope that the creative team selected for the project has something better up their sleeve. And, sorry Marvel, but looks like DC’s beating you to the female superhero solo movie. Better get cracking on a Black Widow or a Ms. Marvel/Captain Marvel movie STAT.

ezra-flashThe announcement also confirmed the casting of Jason Momoa as Arthur Curry/Aquaman and Ezra Miller as Barry Allen/The Flash. Momoa’s rumored attachment to playing Aquaman has been around for so long I think we’re all breathing easier now that the cat’s finally out of the bag. The casting of Miller as Barry Allen is definitely an interesting one. While Grant Gustin embodies aspects of the Silver Age Barry, in personality and looks, on television, Miller’s casting appears to be more on point with Zack Snyder’s atypical casting decisions. With the myriad casting rumors going around about every other character, Flash seemed to be one of the furthest from our minds. Though now that Miller is confirmed for the role, I’m genuinely interested to see what he brings to Barry on the big screen.

Momoa’s casting is easily the most inspired choice and yet he’s the most radical departure from his comic book counterpart. Arthur Curry, in the comics, has been Whitey McBlonderson since his inception, but putting Momoa, a man of Pacific Islander heritage, in the role feels almost like a “well duh!” moment of realization. Not only does it further diversify the cast, but it shows that the casting director, Snyder, and hopefully some of the producers are thinking more about what works for the character rather than strictly adhering to the comics. Perhaps Momoa’s casting could affect the comics should he prove likeable enough to audiences. Jason Momoa Aquaman

I’d be lying if I said I wasn’t pumped for the future of comic book movies. In my world, there isn’t a war between Marvel and DC movies. I get to watch all of them, so how could I possibly lose? Okay, there are ways I could lose, but right now I need to live in my delusions of a well crafted universe for the DC Comics characters I love. There are a few things worth noting, though. One, the list doesn’t include planned solo movies for Batman and Superman, which WB is totally gonna do because do I really need to explain it to you? Two, Guillermo Del Toro’s Justice League Dark and Joseph Gordon-Levitt’s Sandman movies are still in the wings for the time being. Whether WB plans to add them to the lineup or keep them in development hell remains to be seen.

Oh and apparently Green Lantern is getting rebooted. So…Hal Jordan again or can we just skip over to John Stewart?

Mabel

Before Avatar: The Last Airbender and The Legend of Korra gave us a glut of charismatic and realized female characters, before Steven Universe brought us diverse, retro-futuristic superheroes like Garnet, Amethyst, and Diamond, and before Gravity Falls and Bob’s Burgers gave us silly yet poignant characters like Mabel, Tina, and Louise respectively (two of which are voiced by Kristen Schaal), there was the first wave of female cartoon characters that influenced a generation of children, girls and boys, and paved the way for the latest Renaissance of animation where more gender and racially diverse casts are becoming the norm. Representation in media may not seem like a huge deal to some, but we often forget (some more than others) that, as children, the media we consume imprints on us in ways we don’t fully understand until well into adulthood. The goggles of nostalgia being what they are, the current generation is benefiting from what my, and the generations before me, lacked.

Animated cartoons as a medium of entertainment have roughly been around since the turn of the 20th century when the 1908 French film, Fantasmagorie, featured the first instance of traditional, hand-drawn, animation. From there, animated shorts began appearing as experimental films themselves or as shorts before features. Walt Disney and Warner Bros. both developed their signature styles and characters through these shorts. But it wasn’t until 1958 that we got the first purely animated half-hour show featured on television, Hanna-Barbera’s Huckleberry Hound. Two years later we got The Flintstones and the rest, they say, is cata_bettyboophistory. But like the history books we read, the figures dominating the scene were mostly male and white – though I have no idea what the racial breakdown is amongst characters like Wally Gator, Snagglepuss, and the cast of Top Cat.

Female characters in early animation and even in the classic cartoons from the 30s on down were largely used as nagging wives, wide-eyed innocent dimwits, or sexual objects. The 60s and 70s gave us some marginal steps forwards with Josie and the Pussycats and Scooby-Doo, but the ad hoc mystery-solving teen plus animal sidekick shows rarely produced memorable, let alone influential, female characters. As for depictions of race in cartoons, yeah we all know why Disney and Warner Bros. keep a lot of those locked away. Though kudos to Amazon and iTunes for adding a disclaimer to the Tom and Jerry cartoons. It’s a necessary step in educating people on how cartoons, like any medium, are the product of their time and what was considered acceptable.

So why am I bringing this up? Why am I adding historical context to what is ostensibly a list of favorite female cartoon characters from the 80s and 90s? Because we need to understand how the cartoons kids and adults watch now got to this point. Don’t get me wrong, there’s still the continuing tropes of the Smurfette Principle and Tokenism in many cartoons airing currently, but now more than ever are audiences likely to voice their opinions and demand change. Furthermore, creators of these cartoons are more likely to purposefully craft these new cartoons because they understand the changing climate and the need for greater representation and character types. And when you start looking at where the seeds of change were planted, it’s only a few decades back when impressionable kids like myself got a taste of what was yet to come.

 

Babs Bunny (Tiny Toon Adventures) and Dot Warner (Animaniacs)

For all intents and purposes, Babs and Dot share very similar character traits. For one, they’re both voiced by the incomparable Tress MacNeille, but they’re also characters who, like their male counterparts, are just as silly, if not sillier. It’s not a case of them being “just one of the guys”, Babs and Dot are active participants in the shenanigans of their respective shows. And they’re funny as hell!Babs

Though Babs is the epitome of the Smurfette Principle on a visual level (right down to being pink), the writers of Tiny Toons made her a character in her own right. She’s obsessed with perfecting her impressions and goes to great lengths to show her mother just how funny she is despite the lack of attention. There was also a very touching episode called “Fields of Honey” where Babs laments the fact that she has no mentor the equivalent of Buster to Bugs or Plucky to Daffy, though she ends up finding a mentor in the made up Honey of the Bosko and Honey cartoons from the 30s. It’s a bit of commentary on the fact that the Looney Tunes lacked female characters save for Granny, Witch Hazel, and the poor cat often harassed by Pepe Le Pew. Tiny Toons may have created some female counterparts to their male characters, but they made sure they were distinctive. Elmira, anyone?

dot and melDot, like Babs, somewhat embodies the Smurfette Principle, but like her older brothers she’s just as capable of being the voice of reason as she is being an instigator of their torturous fun at the expense of others. Adorned in a little pink skirt and a bow on her head, Dot also has the added dimension of acting “girly”, often proclaiming to others how cute she is, but never lacks in hilarity because of it. Her cuteness, the frequent catchphrases of her ridiculously long name, and the monstrous pet living in a tiny box, all create a complete package. And she’s just as prone to exhibiting the “female gaze” on attractive men as her brothers are on women even if the phrase, “Hello, Nurse!” doesn’t apply in Dot’s case, though that makes it even funnier. This was, of course, a play on what male characters in the Warner Bros. cartoons would do when faced with a sexualized female character, but in the case of Animaniacs, Dot could be just as obsessively attracted to someone as Yakko or Wakko. Babs definitely had her moments like this as well, but most of her efforts were put into getting Buster’s attention. Dot had no ongoing “love interest”, she was just interested.

 

April O’Neil (Teenage Mutant Ninja Turtles)april-o-neil

Though she’s gone through as many iterations as her terrapin friends, April is usually the grounding element for viewers in case a title like Teenage Mutant Ninja Turtles didn’t completely prepare you for what the show was about. It’s through April (voiced by Renae Jacobs) we learn the origin story of the turtles and it’s through April that the turtles usually have reason to get involved with the plot. Saving April from whatever mess she’d gotten herself into was part of the formula of the show, but that formula also showed us that April was the type of reporter who would do anything to get her story. The whole reason she meets the turtles is because her continued investigation into the Foot Clan puts her face to face with Shredder’s goons, driving her into the sewers to save herself. Though Teenage Mutant Ninja Turtles was considered a boys cartoon, their main source of information and connection to the city above was an ambitious woman willing to put herself in danger because she believed in doing the right thing or getting the best camera angle.

 

Lydia Deetz (Beetlejuice)

LydiaBased, and I mean loosely based, on the movie of the same name, the cartoon version of Lydia (voiced by Alyson Court) was a breath of fresh Gothic air in the cartoon landscape. Keeping the bright, pastel settings of Tim Burton’s suburbia, Lydia continued to stick out with her black hair, pale skin, and purple eyeshadow in comparison to the perpetually tanned and blonde-haired girls that populated her middle school. Her story is not that dissimilar from other girls whose interests and looks deviate from what it considered “normal”. She’s isolated and alone and not even the well-intentioned platitudes of her parents make the loneliness go away. Fortunately for Lydia, she has a place she can go to escape the world that ineffectively forces her to conform where a friend awaits who truly understands her and cares about her for the person that she is. In the Neitherworld, Beetlejuice’s home, Lydia can be herself and through her friendship with Beetlejuice she comes into her own as a girl of intelligence and spirit willing to play along with her friend’s schemes and have fun in her topsy-turvy home away from home. It’s what we all wish for, the ability to escape for a while and spend time with a friend who brings out the best in us. Being Goth, however, though it ostracized her from the other people in her cookie cutter community, was never depicted negatively. In fact, it’s what made Lydia distinctive, an individual with a mind of her own. She paved the way for characters like Sam Manson (Danny Phantom) and Marceline (Adventure Time), showing that Goth girls are more than just heavy eyeliner and an interest in spiders. Though that red outfit…man, do I want that for Halloween!

 

Gosalyn Mallard (Darkwing Duck)gosalyn

By all rights, and I swear I’ll fight you over this, Gosalyn Mallard is the perfect example of a tomboy in cartoons. There’s honestly no other character like Gosalyn (voiced by Christine Cavanaugh), that I can think of, who exhibits the same traits and sports the same attitude. A ball of energy and spunk, Gosalyn is the adopted daughter of Drake Mallard, better known as Darkwing Duck. And while most superheroes struggle with balancing home life with their heroic activities, one of Darkwing’s greatest obstacles is keeping Gosalyn away from danger. This is a girl who thinks having a superhero father is the greatest thing ever and isn’t afraid to jump in the sidecar of a motorcycle and follow him into the fray. Gosalyn is Darkwing’s biggest fan, always encouraging him to take down the bad guys no matter how many punches it takes – to them or to him. She’s smart, quick-witted, and ridiculously adorable when she needs to be, which all feeds into her desires to sidestep Darkwing’s rules and be an active participant in taking down the criminals of St. Canard. Gosalyn has even joined Darkwing as a hero in her own right; as Yucky Duck, the Crimson Quackette, and the Quivering Quack, though never for very long. It’s also the father-daughter relationship that maintains the emotional core of the show, another aspect that isn’t explored all that often in cartoons. Many episodes made sure to show how much Darkwing and Gosalyn love each other, including an episode where Gosalyn’s accidental trip to the future showed a darker version of her father obsessed with extreme order and justice because he thought he couldn’t save her. Without Gosalyn, Darkwing isn’t the same hero, showing how important her presence and her encouragement are to the “terror that flaps in the night”.

 

Gadget (Chip ‘n Dale Rescue Rangers)

gadget2Yet another character voiced by Tress MacNeille, this one you could say is my bias poking through because people probably remember Rescue Rangers for the catchy theme song and its titular characters than they necessarily remember Gadget. But if you do remember Gadget as being more than “The Girl” of the group, then you’re also aware of how a character like her could be inspiration to young girls who might have dreams of going into fields like science or engineering. Gadget is a genius and the resident inventor of the group, always ready to MacGyver a piece of machinery out of what we might consider junk to help save the day. Granted, her inventions didn’t always work as planned, but Gadget was always quick on her feet to repair or alter her inventions when need be. Still, she suffered from the occasional bouts of self-esteem, especially when it came to her usefulness and her place on the team. One of the more well-known episodes deals with Gadget suffering from an identity crisis after her inventions repeatedly fail, leading her to join the Cola Cult in order to find a place to belong. Of course, by the end everything works out. This is Disney. Still, episodes like “The Case of the Cola Cult” are important to fleshing out characters, even if we don’t notice it as much when we’re children. It showed Gadget on another level, a girl who could experience self-doubt yet still find a way to overcome it. Despite her failures, Gadget keeps trying.

 

Detective Elisa Maza (Gargoyles)Elisa Maza

Like April O’Neil, Elisa Maza (voiced by Salli Richardson-Whitfield) serves the purpose of being the human connection between the newly woken gargoyles and the modern world. A detective for the NYPD, Elisa is the second human Goliath encounters in New York, but she proves to be the most influential, showing him how Xanatos and Demona are using him and his clan for their own purposes. Though she often acts as the voice of reason and a source of sisterly comfort, Elisa is just as prone to impulsiveness and obsession when it comes to her job in the police department. She’s not afraid to confront those more powerful than her, especially when she sees them abusing their power at the expense of those incapable of defending themselves. Dealing with the mob, monsters, and her own family are just about on equal footing in Elisa’s world, though she’s never one to back down from a fight. And while it shouldn’t be a significant factor, Elisa’s mixed-race heritage was a huge step in the right direction for female characters and cartoons in general. Elisa is half African-American and half Native American, though she and her siblings seem to favor one race over the other instead of an actual mix. The point, however, is that Elisa being the product of a mixed-race family is important for the greater themes of representation in media. The default for female leads can’t be “white” anymore than it is for male leads and children need to be able to see themselves in the media they consume. We can all identify with a character who’s different from us, but we also need to see ourselves reflected back, to know that we’re just as important. And Elisa got to be that character for some kids.

So, yeah, that’s a lot of words about a few characters but they’re characters I believe shouldn’t be discounted for how they potentially influenced a generation of children who would or will grow up to be the next wave of creators in animation and media in general. Their impact, great or small, is still an impact worth noting.

So, who would you add to this list? I know there are more out there, but these were the characters most memorable to me. Let me know who and why!

warrior princess

Now that we know Wonder Woman will actually be appearing in Superman vs Batman and that she’ll be played by Gal Gadot, it’s time to start musing over how David S. Goyer and Zack Snyder will characterize the iconic superheroine. Obviously we don’t have any plot details on the movie, but that doesn’t mean we can’t make some educated guesses as to how Goyer and Snyder might depict the original comic book warrior princess.

Warrior princess…

This is actually the most fitting and succinct description of Wonder Woman you’ll ever find because it encompasses the dual nature and complexity of the character. Diana is the Princess of Themyscira, an island exclusively populated by the female warriors of Greek mythology, the Amazons. With all the talk of Gal Gadot’s casting and the plethora of aggravating judgements of her body continuing, the common thread has been comments about how fans envisioned the look of Diana as an Amazon. We’ve been talking a lot about the warrior, but there hasn’t been a lot of talk about what motivates her: the compassion and love she feels for others. Gail Simone described the essential Wonder Woman movie as a “Disney princess who fights monsters”. Simone should know since she’s written the character, but she makes a salient point. When we think of Disney princesses, certain traits come to mind: kindness, determination, cleverness, love, and compassion. Nix the songs and apply the job of the typical Disney male lead to Diana and you have Wonder Woman. It’s not that far off from what Wonder Woman’s creator, William Moulton Marston, had in mind. He envisioned his superheroine as the embodiment of what be believed were superior, feminine traits, and reinforced them with the physical power and strength rivaled only by Superman.

Simone, along with George Pérez, Greg Rucka, Phil Jimenez, and, to some extent, current writer Brian Azzarello, have all locked into this characterization, striking the right balance between the emotional and the physical. In Diana’s case, they’re not mutually exclusive. She fights because she sees the injustices that humanity inflicts upon itself and her capacity to feel for the suffering of others drives her to help those in need. Conversely, her compassion prevents her from stepping over the line and killing her enemies. Like Superman and Batman, Wonder Woman’s first priority is to prevent harm from coming to others, even the people she’s fighting. Killing does not equal justice, but what distinctly separates Wonder Woman from Batman and Superman is her understanding that sometimes killing is a possible solution when all others have failed.

Death of Maxwell LordThere’s a reason the death of Maxwell Lord is so significant to Wonder Woman’s character development in Infinite Crisis. Snapping his neck (sound familiar?) is the last resort, but it’s a final act done in order to stop Clark from killing others but also to save Clark from the emotional trauma should he kill a friend, loved one, or any random person while under mind control, something she knows would haunt him the rest of his life. The consequences, however, are tremendous in terms of how the world views her and how Superman and Batman treat her. They don’t trust her like they used to because she crossed a line neither of them have dared to no matter what the circumstances. The reasons why can be found in the very core of each character. Clark’s power set makes him practically unstoppable, yet he constantly holds back from putting his enemies six feet under because of the responsibility he feels to uphold the virtues of humanity. Bruce’s “no kill” policy is so central to who he is that he can’t even bring himself to kill the Joker, a mass-murdering sociopath, because he’s afraid of what will happen once he crosses that sacred, yet blurred line.

Clark and Bruce have clearly marked where the point of no return is for them and refuse to deviate from their chosen paths. They’re more motivated by the fear of crossing that line and the repercussions it has on a psychological level. Diana, however, knows where that line is but she also understands that sometimes it has to be crossed because the aftermath may be far worse if she doesn’t act. What separates Diana from Clark and Bruce are the emotional stakes she invests in being a hero and how far she’s willing to go because of them. What would you do to save someone you cared for? How far would you go? Diana will kill if she has to not just because she’s an Amazon but because, sometimes, it’s the lesser evil. Wonder Woman’s heroism comes from trying to spare others from pain even if it means diminishing her own reputation. It’s a sacrifice she’s willing to make and it paints her as a hero who can believably live in the moral grey area. She can still be inspirational and an ideal to strive towards, but when push comes to shove, and there are no other options left, pray that it isn’t Wonder Woman standing in front of you.zzTrinity-Wonder-Woman-Superman-Batman

And that’s just scratching the surface of who Diana is considering the nearly 75 years worth of stories that have expanded on her character and that of the Amazon culture from which she hails. This isn’t a character you can just sum up in a scene and pat yourself on the back.  But how much characterization will end up in the Wonder Woman we see on the big screen in Superman vs Batman? If I were a bettin’ woman, I’d say the odds aren’t exactly in her favor. Diana will be showing up in a movie that is still being referred to via her male peers. Until a title is officially released, hopefully not one of the God-awful domain names purchased by Warner Bros. in the last couple months, we’re still looking at this movie as if it’s going to solely focus on Superman and Batman. Unless the title miraculously has the word “Trinity” or “World’s Finest”, we can expect Wonder Woman’s role to be smaller, leaving less room for significant character development. Not that it can’t happen, but it would have to be some amazingly well written dialogue. Possibly a one-on-one between Diana and Lois. Just no love triangle, please. Listen to Amy Adams.

Keeping in mind, however, the filmmaking team we have, what’s the quickest way to set up a female superhero so that we might know how badass she is in the most visceral way possible? If you said, “Have her smash through a building while lassoing a harpy,” then you’re probably thinking along the same lines as Goyer and Snyder. Not that it wouldn’t be cool to see that, I’m just saying that Diana’s warrior background is going to get way more attention than her pesky emotional side. There’s also the classic bait and switch maneuver of introducing us to Diana Prince first only to have Wonder Woman unexpectedly show up during a fight between Superman, Batman, and whoever the secondary villain happens to be who isn’t Lex Luthor.

Frozen and Catching FirePushing the warrior angle is the easiest route to bring Wonder Woman into the fold. It requires minimal explanation because all you need is something big enough to attract more heroes and BOOM! there’s Wonder Woman stabbing something with a sword while The Flash runs around doing whatever he’s doing. Is it the best way to introduce her? Yes and no. While it gives the audience something they can immediately grasp, it relegates Diana to simply “Action Girl”, which diminishes her complexity as a character. The irony being that the “Action Girl” trope is the one thing working in favor of Warner Bros. greenlighting a Wonder Woman movie. The two top-grossing films of the last month were The Hunger Games: Catching Fire and Frozen, both of which had female leads. The advertising for both movies, however, put more emphasis on the action. Katniss shoots her arrows, some political intrigue ensues, she gets attacked by birds while Peeta shouts at her, and then explosions. Anna proactively goes after her sister, Elsa, and then she’s chased by a snow monster, or Elsa is wielding her ice powers. Neither of these movies had  a lot of advertising that delved into the emotional stakes at the heart of both movies.

In justifying female action leads we’re inadvertently sidestepping emotional arcs in favor of attracting the same audiences just so we can say, “See, Hollywood, girls can bring in the box office numbers too!” The fact of the matter is that Wonder Woman isn’t “tricky”. The Hollywood system of producers and executives in charge of her cinematic future are the “tricky” ones, requiring a constant incentive to push movies through that they believe will attract the male demographic who are still considered the target audience for action and superhero movies despite the numbers showing viewership as relatively even across gender lines.justice-league-22-superman-wonderwoman-1

The comic books, the recent ones at least, at DC Comics aren’t exactly helping with Wonder Woman’s image as the few books she’s featured in emphasize the more militarized version. Azzarello’s Wonder Woman is at least motivated to protect others, but her protection only seems to stay within the realm of her Godly family. It gives her a personal connection and personal stakes in the fate of those she’s defending, but at the same time it makes Wonder Woman a hero focused on self-interest. This isn’t the same Wonder Woman of Greg Rucka’s Hiketeia who would protect and defend anyone who asked for her help even if they committed the crime. Geoff Johns doesn’t do much better with Diana. The beginning of Trinity War has her outright implying that the reason she doesn’t have a rogue’s gallery like Clark or Bruce is because she’ll straight up kill her enemies. The Wonder Woman of the New 52 actually strikes me as the most likely version of the character to end up in Superman vs Batman purely because her motivations have been streamlined, emphasizing the warrior above all else. It begs the question of whether Snyder and Goyer are planning to distill the character for the sake of simplicity or take a chance and strive for more. 

The silver lining in all of this is that we know this won’t be the last appearance of Wonder Woman and that, at the very least, her appearance in Superman vs Batman will provide the opportunity to further explore the character either in Justice League or, hopefully, her own movie. Even if they just emphasize the warrior, they could easily expand on the complexity of Diana in future projects. Whatever doesn’t work this time around can be fixed. Joss Whedon gave Black Widow a purpose in The Avengers, making her far more interesting than her initial introduction in Iron Man 2. So maybe, just maybe, Goyer and Snyder will get Wonder Woman right off the bat, but in case they don’t she’ll at least have a chance at making a second first impression. Her fans love her too much to let her go down without a fight.

Trinity

2013_10_Gal-Gadot-Beautiful1

Yesterday, Variety reported that Israeli actress Gal Gadot was officially cast as Wonder Woman/Diana of Themyscira/Diana Prince for the upcoming Superman/Batman movie. Gadot, best known for her role as Gisele Harabo in the Fast and the Furious franchise, will join Henry Cavill’s Clark Kent/Superman and Ben Affleck’s Bruce Wayne/Batman. It still remains unclear how big of a role Gadot’s Wonder Woman will play in the film since it was also confirmed that The Flash will make an appearance and rumors persist about Nightwing/Dick Grayson making a cameo as well as rumors of Lex Luthor and a possible second villain (perhaps Doomsday?) taking up screen time. Given the cast so far, we’re one Green Lantern short of a Justice League Begins movie.

Zack Snyder, director of Man of Steel and the aforementioned Superman/Batman movie/sequel/whatever issued this statement about Gadot’s casting:

“Wonder Woman is arguably one of the most powerful female characters of all time and a fan favorite in the DC Universe. Not only is Gal an amazing actress, but she also has that magical quality that makes her perfect for the role. We look forward to audiences discovering Gal in the first feature film incarnation of this beloved character.”

man-of-steel-castWith the announcement of Gadot as the most iconic female superhero, it was inevitable that comic book fans and non-comic fans alike would chime in on the casting. It’s about what you’d expect; there’s as much backlash as there is support. Personally, I know nothing about Gadot as an actress. It’s been a long time since I saw the first Fast and the Furious movie and I didn’t exactly stick with the franchise, so I have no idea if the movies really showcase her talent or if she has that “magical quality” Zack Snyder is talking about. If there’s one longstanding compliment I can give to Snyder it’s that he always casts his movies well. I may have my problems with Man of Steel, but the cast isn’t one of them.

Not surprising, though, one of the first things to come up was Gadot’s look and how she measured upWW to the image of Wonder Woman. The most prominent reactions were to her weight. Gadot is a thin woman, which doesn’t necessarily match up with the perception of Wonder Woman, by many fans, as the warrior princess blessed by the Greek Pantheon. In the comics, Diana is often depicted with the body of an athlete, svelte but muscled. It makes sense because, while she may have been given extraordinary gifts by the Gods – depending on the origin story – she’s still part of a warrior culture. Her blessings give her greater power, but at the end of the day she’s still a capable fighter. Diana has been training her entire life, so if one were to logically think about how she’d look, female athletes would be the best real-world examples. There’s a reason why a lot of people were looking at MMA fighter turned actress Gina Carano for the role. Cliff Chiang’s version of Wonder Woman in her current solo title brings those logical elements together, creating a Wonder Woman who has the look of a warrior but retains her femininity. Other artists like Alex Ross and George Perez have emphasized these qualities as well.

While I do agree that Gadot is skinny, she’ll more than likely be hitting the gym. If Zack Snyder’s smart, he’ll make sure that happens. Not that Gadot would need much motivation. During her two-year term of service in the Israeli Armed Forces, Gadot was a sports trainer, so she already has an athletic background. At the very least she just has to bulk up a bit. Think Linda Hamilton in Terminator 2. Besides, she’s not the only actor to change her body for a role.

Christian Bale - The Machinist to Batman Begins

Christian Bale – The Machinist to Batman Begins

Henry Cavil Transitions to Superman

Henry Cavill Transitions to Superman

Ben Affleck...I'm sorry, what were we talking about?

Ben Affleck…I’m sorry, what were we talking about?

So, yeah, I’m sure it’ll be covered. If not, and she remains as thin as she is, then we’re getting into the dangerous territory previously tread when Jennifer Lawrence was cast as Katniss Everdeen in The Hunger Games. In that case, Lawrence was criticized for being “too fat” to play Katniss. With Gadot as Wonder Woman, we’re looking at the reverse with an actress deemed “too skinny” to play a role that many believe requires a woman of larger proportions. Given the choice, I fall on the side of casting someone with an athletic body to match the Amazonian warrior in my head, but that doesn’t mean Gadot and her trainer won’t strike a happy balance. The point is, there is a level of believability surrounding Wonder Woman as a warrior that needs to be satisfied. Just saying she’s strong because the Gods gave her these abilities robs her of the years of actual training she received from her sister Amazons that would reflect in how her body has shaped over time.

There’s also the possibility, and worry, that Gadot may have been cast because she’d look good in the costume. Let’s be honest, Zack Snyder doesn’t have the best track record when it comes to portraying women in his movies and there’s the very real possibility that Gadot’s Wonder Woman may only serve as eye candy. To his credit, Snyder did right by Faora (Antje Traue) and Lois Lane (Amy Adams) in Man of Steel, so hopefully he’s learned from those mistakes. Wonder Woman, from the moment you see her, exudes power and femininity, which should come from the actress portraying her, not through the use of slow-motion or ass-shots.

The issue of her costume, however, factors into how she’s framed within the movie. There was a huge backlash against DC Comics for giving Wonder Woman pants in J. Michael Straczynski’s run on the title, which the New 52 rectified by putting her back in her most iconic costume that’s essentially a one-piece corset/swimsuit and knee-high boots. How her outfit translates to the big screen is a different beast entirely. What works in the comics, doesn’t necessarily make sense in the “realistic” world being built up in the nascent DC Cinematic Universe, so Snyder and his team are going to have to make a choice and I can’t say that I envy them in this regard. Personally, I’ve never had a problem with giving her pants. The iconic costume is iconic for a reason, but putting Gadot in that costume also presents more opportunities for sexualizing the character instead of relying on the actress to transcend the outfit. If Superman is essentially wearing Kryptionian mesh armor and Batman wears a segmented, armored suit, then why does Wonder Woman have to wear a corset and boots? She’s just as powerful wearing pants. If they chose this route, they just have to avoid the David E. Kelley Wonder Woman outfit.Darwyn-Cooke-Wonder-Woman

The other issue appears to be with Gadot’s height. Henry Cavill is six foot one while Ben Affleck is six foot four, putting Gadot at a disadvantage, height wise, at five foot nine. Again, this boils down to how we perceive Wonder Woman, as an Amazon, compared to Superman and Batman. Generally speaking, Wonder Woman is usually depicted being as tall or taller than both Superman and Batman, which is a way of visualizing her power and strength. It’s been used in a lot of comics when artists and writers want to emphasize that Superman isn’t the only powerful hero in the DC Universe. Darwyn Cooke’s Justice League: The New Frontier is one of my favorite reveals of how Diana measures up to Clark as well as Jeph Loeb’s reveal of Big Barda’s height compared to Superman’s in Superman/Batman: Supergirl. In terms of the movie we either have to trust that Gadot’s acting abilities are top-notch that we don’t notice or they’re gonna give her some boots that give her some extra height.

Strangely enough, the reactions to Gadot’s casting don’t necessarily reflect poorly on her as they do emphasize that the first appearance of Wonder Woman on the big screen is a huge deal and that fans of the character have very different ideas of who the character is and how she should look. It’s no different from when we nitpick the casting of any actor or actress portraying a character that’s been around for 70 years. Superman, Batman, and Wonder Woman have gone through so many reboots and reimaginings that the likelihood of pleasing everyone is impossible. The only difference here is that this is Wonder Woman’s first time being featured in a movie whereas Superman and Batman have had multiple actors portraying them since George Reeves put on the cape in 1952. Actually, it goes even further back if you count the Batman and Robin serials of the 1940s. This is also the beginning of a shared cinematic universe for DC and Warner Bros., so the casting of Gadot and the choices they make in how she’s portrayed are going to be what sticks for the foreseeable future.

WonderWomanPictureFor my part, I’m always going to be more concerned with the story and where Wonder Woman falls into the plot. The role could range from cameo to supporting player and until WB puts out an official synopsis of the plot, we can only speculate how big of a role Wonder Woman will have in a movie that introduces her via her male peers with whom she’s supposed to stand alongside as an equal. I’m obviously not the only one who realizes this as many fans and articles have also commented on why Wonder Woman doesn’t just get her own movie before Justice League. And I’ve been on that side of the fence for a long time. I’ve written about it multiple times and I’ll continue to say that Wonder Woman doesn’t need to earn a movie of her own when every male character in the current comic book movie landscape got his movie without question. But we also don’t know WB’s long-term plan. We know Justice League is on the table, but how far out is still unconfirmed with the 2017 release date that came out of San Diego Comic-Con still a rumor. Like I said, the way things are shaping out in terms of the cast of Superman VS Batman, the proto-Justice League is already moving into place. I would love to see Wonder Woman get her own movie before Justice League because she’s Wonder Woman and she deserves it.

The reaction to those who continue to make the exact same statement has been one of, “Hey, we got Wonder Woman in a movie. We should be happy about this.” And, “I’m sure it means a Wonder Woman movie is on the way.” In regards to the first reply:  Yes, I’m happy Wonder Woman is going to be featured in a movie, but I will continue to question her purpose in it until I have some plot details and a better understanding of WB’s plans. Also, just being grateful that a character shows up in a movie is a double-edged sword. Until I see Gal Gadot in the costume and hear her speak, I can’t judge anything. The same goes for Affleck, but to imply that her just being in the movie is good enough sends a message to the filmmakers as well. What if it all goes wrong? What if Snyder falls back on what he’s done before regarding female characters in his previous movies? What if Goyer drops the ball and Wonder Woman is relegated to the background? Was I supposed to be happy about that the whole time? Obviously the reverse could happen and I would love nothing more than to be proven wrong. If this movie ends up being a fantastic superhero movie that gives Wonder Woman a fair shake along with Superman and Batman, I’ll be the first to admit it. But I’m not Mary Sunshine, so it’s great that others have such faith in what’s to come, but I’ll keep my skepticism and if I can respect your devotion, you can respect my reservations.wonder-woman

Concerning the second reply, it’s another show of faith in WB and the filmmakers that seems to be separating us. I hope to high Heaven that Wonder Woman gets a solo movie, but the constant assurances of it from others who know as much as I do about WB long-term plans for their movie franchises, which is nothing, that they’re certain it’ll happen doesn’t mean it actually will. We only really know that Justice League will happen, it’s just a matter of when and if they attempt to make another movie before then. So you can have you faith in the idea, but the fact of the matter is Wonder Woman has only ever popped up on the radar of WB in regards to movies in which she shares screen time with other heroes, never as a solo act. If, however, they announced a Wonder Woman movie would precede Justice League or that they were at least planning for one afterwards, then fine, your faith has been rewarded and I jumped the gun. Happy Happy Joy Joy to all of us! My concern will always remain with the hows and whens.

wonderwoman-kate-beaton

So that’s all I got on the matter. This is, as always, one person’s opinion. But what do you think about the casting of Gal Gadot and Wonder Woman being part of Superman VS Batman? Should she get a movie before Justice League or are you content to wait?