Posts Tagged ‘superheroes’

 

kellysue

 

Sam talks with Kelly Sue DeConnick about ALL THE THINGS! Specifically Bitch Planet, Pretty Deadly, and Captain Marvel but there’s always plenty of awesome when Kelly Sue is around!

Intro: “The Captain” by Adam WarRock 

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Sam talks with Kyle Higgins, co-writer of C.O.W.L. for Image Comics. The two talk cartoon nostalgia, history and superheroes, and the artistry of comics.

 

kyle higgins

 

 

Intro music “French Kiss” by Mrs. Howl

Outro music “Chicago” by Joe Clark feat. Raya Yarbrough

Mabel

Before Avatar: The Last Airbender and The Legend of Korra gave us a glut of charismatic and realized female characters, before Steven Universe brought us diverse, retro-futuristic superheroes like Garnet, Amethyst, and Diamond, and before Gravity Falls and Bob’s Burgers gave us silly yet poignant characters like Mabel, Tina, and Louise respectively (two of which are voiced by Kristen Schaal), there was the first wave of female cartoon characters that influenced a generation of children, girls and boys, and paved the way for the latest Renaissance of animation where more gender and racially diverse casts are becoming the norm. Representation in media may not seem like a huge deal to some, but we often forget (some more than others) that, as children, the media we consume imprints on us in ways we don’t fully understand until well into adulthood. The goggles of nostalgia being what they are, the current generation is benefiting from what my, and the generations before me, lacked.

Animated cartoons as a medium of entertainment have roughly been around since the turn of the 20th century when the 1908 French film, Fantasmagorie, featured the first instance of traditional, hand-drawn, animation. From there, animated shorts began appearing as experimental films themselves or as shorts before features. Walt Disney and Warner Bros. both developed their signature styles and characters through these shorts. But it wasn’t until 1958 that we got the first purely animated half-hour show featured on television, Hanna-Barbera’s Huckleberry Hound. Two years later we got The Flintstones and the rest, they say, is cata_bettyboophistory. But like the history books we read, the figures dominating the scene were mostly male and white – though I have no idea what the racial breakdown is amongst characters like Wally Gator, Snagglepuss, and the cast of Top Cat.

Female characters in early animation and even in the classic cartoons from the 30s on down were largely used as nagging wives, wide-eyed innocent dimwits, or sexual objects. The 60s and 70s gave us some marginal steps forwards with Josie and the Pussycats and Scooby-Doo, but the ad hoc mystery-solving teen plus animal sidekick shows rarely produced memorable, let alone influential, female characters. As for depictions of race in cartoons, yeah we all know why Disney and Warner Bros. keep a lot of those locked away. Though kudos to Amazon and iTunes for adding a disclaimer to the Tom and Jerry cartoons. It’s a necessary step in educating people on how cartoons, like any medium, are the product of their time and what was considered acceptable.

So why am I bringing this up? Why am I adding historical context to what is ostensibly a list of favorite female cartoon characters from the 80s and 90s? Because we need to understand how the cartoons kids and adults watch now got to this point. Don’t get me wrong, there’s still the continuing tropes of the Smurfette Principle and Tokenism in many cartoons airing currently, but now more than ever are audiences likely to voice their opinions and demand change. Furthermore, creators of these cartoons are more likely to purposefully craft these new cartoons because they understand the changing climate and the need for greater representation and character types. And when you start looking at where the seeds of change were planted, it’s only a few decades back when impressionable kids like myself got a taste of what was yet to come.

 

Babs Bunny (Tiny Toon Adventures) and Dot Warner (Animaniacs)

For all intents and purposes, Babs and Dot share very similar character traits. For one, they’re both voiced by the incomparable Tress MacNeille, but they’re also characters who, like their male counterparts, are just as silly, if not sillier. It’s not a case of them being “just one of the guys”, Babs and Dot are active participants in the shenanigans of their respective shows. And they’re funny as hell!Babs

Though Babs is the epitome of the Smurfette Principle on a visual level (right down to being pink), the writers of Tiny Toons made her a character in her own right. She’s obsessed with perfecting her impressions and goes to great lengths to show her mother just how funny she is despite the lack of attention. There was also a very touching episode called “Fields of Honey” where Babs laments the fact that she has no mentor the equivalent of Buster to Bugs or Plucky to Daffy, though she ends up finding a mentor in the made up Honey of the Bosko and Honey cartoons from the 30s. It’s a bit of commentary on the fact that the Looney Tunes lacked female characters save for Granny, Witch Hazel, and the poor cat often harassed by Pepe Le Pew. Tiny Toons may have created some female counterparts to their male characters, but they made sure they were distinctive. Elmira, anyone?

dot and melDot, like Babs, somewhat embodies the Smurfette Principle, but like her older brothers she’s just as capable of being the voice of reason as she is being an instigator of their torturous fun at the expense of others. Adorned in a little pink skirt and a bow on her head, Dot also has the added dimension of acting “girly”, often proclaiming to others how cute she is, but never lacks in hilarity because of it. Her cuteness, the frequent catchphrases of her ridiculously long name, and the monstrous pet living in a tiny box, all create a complete package. And she’s just as prone to exhibiting the “female gaze” on attractive men as her brothers are on women even if the phrase, “Hello, Nurse!” doesn’t apply in Dot’s case, though that makes it even funnier. This was, of course, a play on what male characters in the Warner Bros. cartoons would do when faced with a sexualized female character, but in the case of Animaniacs, Dot could be just as obsessively attracted to someone as Yakko or Wakko. Babs definitely had her moments like this as well, but most of her efforts were put into getting Buster’s attention. Dot had no ongoing “love interest”, she was just interested.

 

April O’Neil (Teenage Mutant Ninja Turtles)april-o-neil

Though she’s gone through as many iterations as her terrapin friends, April is usually the grounding element for viewers in case a title like Teenage Mutant Ninja Turtles didn’t completely prepare you for what the show was about. It’s through April (voiced by Renae Jacobs) we learn the origin story of the turtles and it’s through April that the turtles usually have reason to get involved with the plot. Saving April from whatever mess she’d gotten herself into was part of the formula of the show, but that formula also showed us that April was the type of reporter who would do anything to get her story. The whole reason she meets the turtles is because her continued investigation into the Foot Clan puts her face to face with Shredder’s goons, driving her into the sewers to save herself. Though Teenage Mutant Ninja Turtles was considered a boys cartoon, their main source of information and connection to the city above was an ambitious woman willing to put herself in danger because she believed in doing the right thing or getting the best camera angle.

 

Lydia Deetz (Beetlejuice)

LydiaBased, and I mean loosely based, on the movie of the same name, the cartoon version of Lydia (voiced by Alyson Court) was a breath of fresh Gothic air in the cartoon landscape. Keeping the bright, pastel settings of Tim Burton’s suburbia, Lydia continued to stick out with her black hair, pale skin, and purple eyeshadow in comparison to the perpetually tanned and blonde-haired girls that populated her middle school. Her story is not that dissimilar from other girls whose interests and looks deviate from what it considered “normal”. She’s isolated and alone and not even the well-intentioned platitudes of her parents make the loneliness go away. Fortunately for Lydia, she has a place she can go to escape the world that ineffectively forces her to conform where a friend awaits who truly understands her and cares about her for the person that she is. In the Neitherworld, Beetlejuice’s home, Lydia can be herself and through her friendship with Beetlejuice she comes into her own as a girl of intelligence and spirit willing to play along with her friend’s schemes and have fun in her topsy-turvy home away from home. It’s what we all wish for, the ability to escape for a while and spend time with a friend who brings out the best in us. Being Goth, however, though it ostracized her from the other people in her cookie cutter community, was never depicted negatively. In fact, it’s what made Lydia distinctive, an individual with a mind of her own. She paved the way for characters like Sam Manson (Danny Phantom) and Marceline (Adventure Time), showing that Goth girls are more than just heavy eyeliner and an interest in spiders. Though that red outfit…man, do I want that for Halloween!

 

Gosalyn Mallard (Darkwing Duck)gosalyn

By all rights, and I swear I’ll fight you over this, Gosalyn Mallard is the perfect example of a tomboy in cartoons. There’s honestly no other character like Gosalyn (voiced by Christine Cavanaugh), that I can think of, who exhibits the same traits and sports the same attitude. A ball of energy and spunk, Gosalyn is the adopted daughter of Drake Mallard, better known as Darkwing Duck. And while most superheroes struggle with balancing home life with their heroic activities, one of Darkwing’s greatest obstacles is keeping Gosalyn away from danger. This is a girl who thinks having a superhero father is the greatest thing ever and isn’t afraid to jump in the sidecar of a motorcycle and follow him into the fray. Gosalyn is Darkwing’s biggest fan, always encouraging him to take down the bad guys no matter how many punches it takes – to them or to him. She’s smart, quick-witted, and ridiculously adorable when she needs to be, which all feeds into her desires to sidestep Darkwing’s rules and be an active participant in taking down the criminals of St. Canard. Gosalyn has even joined Darkwing as a hero in her own right; as Yucky Duck, the Crimson Quackette, and the Quivering Quack, though never for very long. It’s also the father-daughter relationship that maintains the emotional core of the show, another aspect that isn’t explored all that often in cartoons. Many episodes made sure to show how much Darkwing and Gosalyn love each other, including an episode where Gosalyn’s accidental trip to the future showed a darker version of her father obsessed with extreme order and justice because he thought he couldn’t save her. Without Gosalyn, Darkwing isn’t the same hero, showing how important her presence and her encouragement are to the “terror that flaps in the night”.

 

Gadget (Chip ‘n Dale Rescue Rangers)

gadget2Yet another character voiced by Tress MacNeille, this one you could say is my bias poking through because people probably remember Rescue Rangers for the catchy theme song and its titular characters than they necessarily remember Gadget. But if you do remember Gadget as being more than “The Girl” of the group, then you’re also aware of how a character like her could be inspiration to young girls who might have dreams of going into fields like science or engineering. Gadget is a genius and the resident inventor of the group, always ready to MacGyver a piece of machinery out of what we might consider junk to help save the day. Granted, her inventions didn’t always work as planned, but Gadget was always quick on her feet to repair or alter her inventions when need be. Still, she suffered from the occasional bouts of self-esteem, especially when it came to her usefulness and her place on the team. One of the more well-known episodes deals with Gadget suffering from an identity crisis after her inventions repeatedly fail, leading her to join the Cola Cult in order to find a place to belong. Of course, by the end everything works out. This is Disney. Still, episodes like “The Case of the Cola Cult” are important to fleshing out characters, even if we don’t notice it as much when we’re children. It showed Gadget on another level, a girl who could experience self-doubt yet still find a way to overcome it. Despite her failures, Gadget keeps trying.

 

Detective Elisa Maza (Gargoyles)Elisa Maza

Like April O’Neil, Elisa Maza (voiced by Salli Richardson-Whitfield) serves the purpose of being the human connection between the newly woken gargoyles and the modern world. A detective for the NYPD, Elisa is the second human Goliath encounters in New York, but she proves to be the most influential, showing him how Xanatos and Demona are using him and his clan for their own purposes. Though she often acts as the voice of reason and a source of sisterly comfort, Elisa is just as prone to impulsiveness and obsession when it comes to her job in the police department. She’s not afraid to confront those more powerful than her, especially when she sees them abusing their power at the expense of those incapable of defending themselves. Dealing with the mob, monsters, and her own family are just about on equal footing in Elisa’s world, though she’s never one to back down from a fight. And while it shouldn’t be a significant factor, Elisa’s mixed-race heritage was a huge step in the right direction for female characters and cartoons in general. Elisa is half African-American and half Native American, though she and her siblings seem to favor one race over the other instead of an actual mix. The point, however, is that Elisa being the product of a mixed-race family is important for the greater themes of representation in media. The default for female leads can’t be “white” anymore than it is for male leads and children need to be able to see themselves in the media they consume. We can all identify with a character who’s different from us, but we also need to see ourselves reflected back, to know that we’re just as important. And Elisa got to be that character for some kids.

So, yeah, that’s a lot of words about a few characters but they’re characters I believe shouldn’t be discounted for how they potentially influenced a generation of children who would or will grow up to be the next wave of creators in animation and media in general. Their impact, great or small, is still an impact worth noting.

So, who would you add to this list? I know there are more out there, but these were the characters most memorable to me. Let me know who and why!

Okay, we’re gonna go about things a little differently here. Since I’ve decided to strike out on my own – updates forthcoming – I don’t necessarily have the time or the funds to read every comic and write the fairly long, detail-oriented reviews I did in the past. That doesn’t mean, however, that I’m shirking my analytical duties of reviewing comic books. It just means these reviews are going to be much shorter.

What’s the approach? Your standard pull list of comics for the week and my thoughts on why you should read them with a specific Spotlight position set aside for what I think was a standout issue. There’s also room for highlighting new books from smaller publishers or collected graphic novels and such. Pretty much whatever I think is worth your time, which means – obviously – that this will be heavily biased to my tastes. In all likelihood, some of you may or may not agree with my picks and that’s fine. If anything, it leaves us open for discussion about what you think were the best books of the week and to make recommendations of your own.

Sound good?

I’ll take your silence as a sign of agreement. To the list!

 

C.O.W.L. #5 – Image Comics

COWL_05-1Written by Kyle Higgins and Alec Siegel with Art by Rod Reis, the first arc of the series comes to a close with the dissolution of C.O.W.L. Or does it? Higgins, Siegel, and Reis started their story of the first labor union for superheroes at the beginning of the end, but everyone knows that the end is only the beginning. In tumultuous post-WWII, Cold War era Chicago tensions have finally escalated to the point of strikes and rioting with the city content to wash its hands clean of C.O.W.L. Not that the heroes are too broken up about it, at least most of them. While the world of C.O.W.L. has been slowly built within the era of equal rights, paranoia, and disillusionment, one man’s story has been cutting through the narrative: Geoffrey Warner, C.O.W.L.’s Chief formerly known as The Grey Raven. From the beginning of the book, Geoffrey has been trying every tactic possible to keep C.O.W.L. alive only to see it crumble before his eyes. It’s his desperation that makes his actions at the end of the issue – the last panel in fact – all the more shocking. Does Chicago need heroes? Geoffrey thinks it does and he’s willing to do anything to prove how necessary C.O.W.L. is to the Chicago, if not the world.

 

Low #3 – Image Comics

low03_coverWritten by Rick Remender with Art by Greg Tocchini, Low #3 is a beautiful cacophony of juxtaposing images and ideas set against what is ostensibly the end of the human race. While most of the people inhabiting the undersea city of Salus are set on counting down the days until they’re done for, Stel Caine holds on to the hope that humanity can be saved. The appearance of a long forgotten probe that may have found a planet suitable for human habitation prompts her to confront the decadent and corrupt councilmen who, like most people, see Stel’s optimism as some sort of disease. No one believes this more than her son Marik who, after being arrested for corruption and the death of a hooker, tries to kill himself because he can’t imagine his life could get any lower. Luckily, Stel manages to save him, which is debatable if you’re Marik, and takes him with her to find the probe. The issue mostly consists of a huge argument between Stel and Marik, a mother and son who’ve both experienced tremendous loss and have dealt with it in very different ways. But in this issue, there’s finally some catharsis and Tocchini’s art gorgeously captures the beauty and wonder of the ocean that Marik sees for the first time.

 

Wayward #2 – Image Comics

Wayward_02-1Written by Jim Zub with Art by Steven Cummings, John Rauch, and Zub, Rori’s fresh start in Japan hasn’t exactly gone very smooth. What with the pressures of being in a new city, reconnecting with your mother, discovering you have strange powers that allow you to see monsters and getting saved by a cat-person – wait, what? Seriously, the worst thing that could happen after that is starting at a new school where you’re treated like an idiot and judged for your appearance while trying not to be a burden to the one parent you don’t want to hate you. Which is why that’s exactly what happens. Though I’ve never been to school in Japan, Zub finds a way to make Rori’s circumstances relatable despite the cultural shift. We can all sympathize with feeling like an outcast or a loner as well as the intense pressure that comes with being a student. Heighten that with the intense nature of Japanese schools and we see just how stressful Rori’s world has become. How she copes with that stress, however, left me gasping out loud. The art continues to be a lush and vibrant world of anime and manga influences. Even in the darkest settings, the colors still pop off the page as Rori tries to make sense and connect the dots especially when it comes to one of her new schoolmates.

 

Storm #3 – Marvel Comics

Storm-003Written by Greg Pak with Art by Matteo Buffagni, Storm’s solo book is only three issues in and, on the surface, the stories feel like vignettes in Ororo Munroe’s life between the myriad events going on in the X-Men universe. But what Greg Pak has been doing is taking the reader back to her roots, showcasing exactly what makes the former goddess and Queen of Wakanda tick, which inevitably leads her back to Africa; specifically Kenya where she was once worshipped because of her powers over the weather. After meeting the locals, she also finds herself confronted with another part of her past when Forge is revealed to be the one behind bringing her back so he can create a method of weather control so the local villagers can grow their crops. Unfortunately, Forge’s machine is too unstable and the leader of the village is a little too eager to harness the power of a god. Through the lessons she learned from being falsely worshipped as well as her time being de-powered and betrayed, Storm shows what makes her a true leader as she shows the wisdom necessary to strike a balance between Forge and the village. Neither are ready to move on, so she makes sure they find a way to do so together.

 

Sensation Comics Featuring Wonder Woman #5-6 – DC Comics

sensation5Written by Ivan Cohen with Art by Marcus To these two chapters serve as a full story that sees Diana’s belief in the gods challenged when she supposedly loses her powers. The writers and artists involved with Sensation Comics have been doing a stellar job of showcasing the various aspects of Wonder Woman and Ivan Cohen pushes the concept of belief into the forefront. Diana is a paragon of justice, truth, honor, and compassion, but even in this day and age her origins involving the Greek pantheon give people pause when she’s also wrapped up in the stars and stripes. The brilliance of this story, however, is Diana’s cleverness in sussing out who the true villain is and besting him through the sheer force of belief in one thing and one thing alone: herself. Without that she’s nothing and it makes all the difference.

 

Spotlight: Saga #23 – Image Comics

Saga23OneAs if there was any doubt! Saga is an ongoing emotional roller coaster and, as always, Brian K. Vaughan and Fiona Staples still manage to pull the rug out from under the reader. The penultimate issue of the current arc finds Marko nearly giving into his feelings for Ginny after Alana kicked him out and Alana continuing to turn to drugs to cope with how miserable she is, but our favorite married couple find that even the greatest temptations can’t completely pull them away from each other. Oddly enough, it isn’t the calming and placating platitudes from Ginny to Marko or the story of lost love from Izabel to Alana that snaps everything into place, it’s Hazel’s toy Ponk Konk. Marko knows how much his daughter loves the toy and it spurs him to return to his home. Alana, on the other hand, sees how much she’s been missing out on by working the Open Circuit and getting high while Marko practically raises their daughter without her. Unfortunately, Dengo and the princeling show up before the family can reunite, fulfilling Hazel’s earlier statement that this is indeed the story of how her parents split up when Alana activates their rocket ship tree to blastoff, leaving the planet and Marko behind as a means of stopping Dengo. At the issue’s end, Marko is stranded, unable to reach his family, but he’s not the only father desperate to get to his family.

 

So those are my picks for the week. Please feel free to comment below and tell me what comics you’d highlight, either as regular pulls or new comics people should check out.