Posts Tagged ‘possession’

I’m certain those of you who grew up watching Animaniacs will recall the lovely short “I’m Mad” wherein Dot Warner expresses her frustration with oldest brother Yakko via the very succinctly stated, “I’m mad. I’m mad. I’m really, really, really mad!” Well, let me just say that Dot has become my spirit animal in the wake of reading Rat Queens #15 and a subsequent re-reading of the entire arc written by Kurtis J. Wiebe with art by Tess Fowler and colors by Tamra Bonvillain. Issues #11-15 mark a turning point in the Rat Queens story, but one of the Queens won’t be following the same path.RatQueens_15-1

Obviously there are spoilers here, so beware and all that jazz.

A while back the cover for Rat Queens #16 started circulating and unless you’d gone blind in the last few weeks, it wasn’t hard to figure out that Hannah, the group’s profanely hilarious mage, was noticeably absent. In my review for issue #14, I expressed my concern for where the story was headed and what it would mean for the girls as a whole. Unfortunately, my fears came true as Hannah and the Queens parted ways in a manner that still makes me want to hurl bricks at buildings while simultaneously setting fire to and salting the earth.

This is by no means a condemnation of the story. Far from it. It’s well done with wonderful, gut-punching dialogue with a few pacing issues, but there’s never a moment where it didn’t feel like Rat Queens or the characters didn’t ring true. If anything they rang too true, so think of this as proof of how invested I am in Hannah, Violet, Dee, and Betty’s friendship and the supposedly safe space Wiebe built for them within the walls of Palisade. But like Jericho, the walls came a’tumbling down. Gods helps me, though, I’ll find some way to blame this on Gary because fuck that guy!

In case you need a refresher: the Queens traveled to Mage University, Hannah’s old stomping grounds, to help free her father Gerard after he and several students attacked the university’s governing body, the Council of Nine. During their time on campus, Dee reunited with her brother Senoa and began making plans to destroy N’Rygoth, Betty’s past began to catch up with her, Violet got a new sword from a dragon’s (sorry – Daniel’s) hoard, and Hannah learned the truth about her father and his involvement with the Council of Nine after her mother was killed.

That’s all to say that things go steadily downhill from moment one in the final issue. While I love the symmetry of past-Hannah facing the Council of Nine in a similar manner to how Gerard faced them at the beginning of issue #11, the scene and the attack that follows set up an important thematic moment about truth, trust, and the bonds of friendship. Since before their arrival at the university, Hannah hasn’t been completely honest with her friends about her intentions in regards to freeing her father or the actual circumstances behind her expulsion banishment from campus. Unfortunately, the Queens hear Senoa’s version of how things went down first: Hannah was under the influence of a demon and used its power to attack the Council of Nine after they’d kicked her out of school. Hannah refutes most of Senoa’s story except for one particular detail, she was under no one’s influence. She was fully in control of herself when she attacked the Council and she’s ready to replay her greatest hits in order to save her father. The Queens, Dee especially, don’t exactly see her plan as a sound one but the words they use to convey those sentiments are chosen poorly. Hannah walks away believing her friends have abandoned her and by issue’s end it seems as though they have.

ratqueens 15The final pages are frustrating to read. As someone who’s been an avid fan of Rat Queens from the beginning it’s upsetting to watch the friendship of these four women crumble. The sad truth, though, is this is sometimes how friendships in the real world come to an end. Granted it usually doesn’t involve demons, mages, and Smidgens, but that’s also not what ultimately separates Hannah from the others. It’s them; all four of the Queens share responsibility. Their words and their choices send Hannah into the arms of her former power-enhancing demon and the others to resignedly sail back to Palisade. This is an important point where the story is concerned because Wiebe could have easily fallen back on the trope of body possession or demonic influence to explain Hannah’s actions then and now. It’s a tried and true way of letting a character do horrible things without taking responsibility since it “wasn’t really them.” Not with the Rat Queens, oh no! Wiebe goes for the hard truth and it’s heartbreaking to see unfold thanks to the beautifully emotive artwork of Tess Fowler and Tamra Bonvillain. Hannah’s face as she’s being dragged away, bloodied and bruised, by the guards is devastating as well as the real pain exuded by Betty and Violet. These women have been through the shit together and to watch them fall apart is, not gonna lie, rough.

The frustration lingers because it feels like the entire mess could’ve been avoided. If they hadn’t been at Mage U, or if Hannah had been given more time to calm down, or if Dee hadn’t implied that Hannah was still conspiring with the demon, or the guards hadn’t shown up when Betty was holding tightly to Hannah’s leg in desperation, then things might have happened differently.

But they didn’t. It’s a bummer ending that purposefully lacks closure like in real life where nothing ends as cleanly as we’d like. The silver lining, though, is I’m fairly certain this isn’t the last we’ve seen of Hannah. She’s too good of a character for Wiebe to completely sideline and should the “vision” Violet experienced come to pass, then the reunion is going to be epic.

 

Advertisements

Ghosted begins its latest arc by bringing back the past. Not only does Oliver King, the skeptic turned believer of the first arc return, but we also get the notorious white room last seen in the Trask Mansion, plus a new character with an unexpected connection to Jackson’s deceased friend. While this set-up seems all well and good for Ghosted, Jackson is the wildcard for ghosted_12the first time. His involvement in previous heists were either through coercion or…nope, pretty much everything after the Spirit Casino debacle has been about coercion. This time though, Jackson is all out of fucks to give as the government tries to recruit him for a new mission that further expands the supernatural world of Ghosted.

Starting almost immediately after the events with the Brotherhood of the Closed Book and the appearance of King with the FBI, Jackson and Nina Bloodcrow are released from prison so King can introduce them to Agent Creed. Jackson is of particular interest to Creed. He seems to know everything about him (including what happened in New Orleans, which I’m sure we’ll find out about in the future) and he wants to “offer him a job” going after the proliferation of ghosts and spirits that have come out of the woodwork for reasons that appear to be unexplained. Jackson, however, is having none of it. He could care less about what’s happening outside of his personal bubble of anger and guilt and the alternative options of prison or death sound better than helping the feds. It isn’t until Creed reveals the man who may be involved in the recent uptick in spiritual activity is the late Trick’s son and introduces Jackson to his “fan” that the con man is finally interested in what Creed has to say.

What continues to impress me about Ghosted are the many ways in which the supernatural is treated and interpreted. It’s like a check list of horror cliches only Joshua Williamson manages to make them feel fresh within the context of the world he’s created. Haunted mansion? Check. Cults and possession? Got it! Rednecks dealing in candles made of virgin blood? Ch – okay, that’s not on the list, but it oughta be! The success of these scenarios, however, is how they’re filtered through Jackson and his involvement. He’s the connecting thread but with the beginning of this new arc, we’re seeing him begin to unravel. Thematically, Ghosted has its roots in the idea of the past haunting us in ways we can’t expect. The bookends of this issue illustrate that perfectly. A woman’s stalker kills himself and while the woman is happy to move on with her life, the ghost of R2nDrEx-ghosted_12_3the stalker lingers, hovering around her and letting her know that she’s not as free of him as she thought. Jackson has a similar predicament, but his demons are less visible to the naked eye. Instead, he literally bears the scars of his haunted past, one that everyone wants to exploit to get him to do their dirty work. The loss of Trick, however, has affected Jackson tremendously. If he had even a tenuous hold on staying alive, Trick’s death has finally pushed Jackson to the breaking point. His previous attempts at goading people into killing him seem trivial compared to the anger-induced provocation of Creed when the man has a gun pointed at him. The only person keeping him somewhat anchored is Nina.

Once again, Davide Gianfelice’s art works so well within the world of Ghosted. The sketch-like quality of his art instills movement in scenes that could easily look static. Like the previous arc, Gianfelice handles the horror with a deft hand, making spirits and possessed people look grotesque yet intriguing at the same time. The ghost of the stalker is especially chilling due to the minimal dialogue as the young woman goes about her nightly routine all while the deceased hovers nearby, his blank expression made all the creepier by the gaping would in his skull. The colors from Miroslav Mrva present an interesting contrast between the living world and the dead. For most of the issue, the colors are brighter, even in the prison facility where Jackson and Nina are being held, but when a ghost is featured in a scene they’re marked by a noticeable color shift that draws the eye immediately. It’s a fantastic way of highlighting the combined efforts of writer, artist, and colorist.

Final Thoughts: New story + new characters = a very excited Sam!

ghosted-06This article was originally posted at Word of the Nerd on January 15th.

Just when Jackson Winters thinks he’s out of the game, living the good life, the life that he left behind pulls him back into the fold. Yes, Ghosted is back and the sins of Jackson’s past are creeping up on him once again, both figuratively and literally.

Enjoying the fruits of his labors after delivering the ghosts of the Trask Mansion to Markus Schrecken, Jackson is unfortunately discovered by an informant for the people who own the casino his original crew tried to rob. Seeing his brief stint at normalcy blown straight to hell, with a few extra bullet holes in the chest for good measure, Jackson and Trick – the entertainingly knowledgeable black market fencer and magician – find themselves roped into another job on behalf of the casino owner, Wenona Blood Crow. In order to wipe the slate clean once and for all, Jackson has to rescue Wenona’s granddaughter, Nina, from kidnappers who’ve taken the girl across the border to Mexico. And while it’s possible that Wenona could have easily hired someone else to rescue Nina and have Jackson killed by her family’s personal hitman, Skinner, it seems the kidnappers took Nina for a reason and it happens to be in Jackson’s particular area of expertise.

In the return of Ghosted, Joshua Williamson doesn’t hold back, putting Jackson right in the middle of the action, but not before giving us a rather disturbing opening involving an elderly performing a ritual involving dolls dressed as Jackson hanging from nooses and pictures of Jackson decorating the walls splashed with bat’s blood. It’s a fantastic reminder of the curse Jackson carries; seemingly blessed to live in the face of supernatural circumstances where others often perish. It doesn’t mean the man isn’t marked for the rest of the afterlife. Jackson’s no saint and his experiences with the otherworldly may have done more to stack the deck against him if his dream sequence later on is any indication of what his eternal resting place will look like. I will admit, though, Jackson’s reaction to his hallucinatory revisiting of the last arc was pretty great. Good to know the man’s sense of humor always remains intact. Skinner and Wenona are great additions to Ghosted‘s cast of characters. Whereas Ghosted6_col_page_02-03Markus Schrecken was an employer who needed Jackson solely for his skills, the history between Jackson and the two adds another level of tension to the story. Skinner proves he’s not afraid to solve his problems by riddling them with bullets, so it’ll be interesting to see if he tags along with Jackson and Trick on their trip to Mexico. Feels like his presence would make for great motivation.

The art for Ghosted #6 changes as Davide Gianfelice takes over and it couldn’t be a better fit. The illustrative quality is gorgeous and the look of the characters and environments has an air of the mod style Jackson is so fond of emulating. Something about the lining on the cheekbones and chin that reminds me of Darwyn Cooke’s style, which matches up with Jackson and his world perfectly. Whereas the previous arc with Goran Suduka had a grittier and slightly gothic sensibility befitting of the setting and premise, Gianfelice’s art is more cinematic, making the next chapter reminiscent of a movie sequel. Like Sudzuka before him, Gianfelice knocks it out of the park when it comes to the grotesque. If the opening isn’t enough to give you the heebie jeebies, then I’m pretty sure the last page will.

Rating – 10/10

Final Thoughts: Woo hoo! Trip to Mexico, guys! Can’t wait!