Posts Tagged ‘Mike Henderson’

If you want a really laid back, quirky, and open introduction to what comic book conventions should and can be, look no further than good old Portland and its offering of Rose City Comic Con (RCCC) to draw you in and make you a fan for life. Going strong in its fourth year, RCCC has a small yet plucky vibe that permeates the Oregon Convention Center with an inviting nature that’s sure to put any first-time or seasoned veteran at ease. The offerings of Media Rose-City-Comic-ConGuests, Exhibitors, Panels, and Artist Alley are no different than your typical con, but when these familiar staples are mixed in with a Retro Arcade (complete with old furniture and TV for your Nintendo Entertainment System needs), replicas of the Delorean and 60’s Batmobile, and elaborate spaces celebrating the University of Oregon’s football team you get the sense that Portland is injecting itself right into the heart of geek culture and we’re all better off for it.

For me, the floor of the con and its smattering of artists, writers, and talented craft-makers is the heart and soul of the two-day event. Admittedly, I’ve fallen off of waiting in line for panels mostly because I always feel like I’m missing something amid the exhibitors and artists. I like walking around and exploring the layout of the convention center. Undoubtedly, I always find something new – an artist, a writer, a comic, a thing – and I’d rather spend my time on the discovery instead of waiting in line. But that’s my preference. RCCC offered an amazing spread of panels this year that highlighted the history of comic books, representation in comics, geek culture, and spotlight celebrations of some kick-ass creative teams pushing the comic book industry forward. The panel schedule, however, was still light in comparison to other conventions, which allowed people the luxury of walking the floor (should the fancy strike them) with the chance of making those same discoveries.

This year, I had a lot of conversations with first or second-time exhibitors and it really started to hit home how important smaller conventions like RCCC are to creators trying to find an audience or in bolstering the confidence of artists struggling with the decision to pursue their art full time. It’s incredibly important to foster not just new fans but new creators to fill in the ranks for the next generation. And as vital as the internet and social media have 20150919_100558[2]become in distributing new voices, conventions are just as important in emphasizing the personal relationships built over love of a shared thing. Getting to meet your favorite artist, writer, actor, etc. and actually tell them, in person, is an incredible experience that allows us to put faces to names we only ever see on the cover of a book or the occasional article. It’s one of my favorite things to do at a con, talk to people who make the things I like. Granted, I’ve gotten a lot better at it over the years but I’ve found that a lot of writers and artists are just as open and nervous as I am, though the Artist Alley section felt suspiciously easy-going this time around. Probably because a majority of the people there were from the greater Portland area, taking the travel stress levels down immensely.

But I digress, I could wax poetic about the significance of conventions and their importance to fandoms for a lot longer than anyone would want to read about so here’s a quick list of highlights from the show!

Artist Alley – Like I said, this is where I spend most of my time at any con, but it was great getting to reconnect with people I’ve become friendly with via the website and podcast while meeting a lot of new artists as well. See the gallery below for websites and examples of their work!20150919_103752[1]

Retrocade – This made my little retro-gamer heart soar! I swear they pilfered the television and couch from my grandparents’ basement! I had a lot of childhood memories rushing back! The wide array of pinball machines brought me back to those days hanging out in the local pizzeria with my cousins begging for quarters.

Costume Contest and Concert – While I understand putting the two together, it might be best to separate them in the future. I say this with a lot of love and respect for The Slants and Kirby Krackle because Lord knows the energy levels they want for their performances weren’t exactly being returned by the tired masses of geeks who just wanted to sit and look at some costumes. That said, wonderful performances all around! As for the costume contest it’s always a highlight of a con to see so much love and support given to people who put a lot of time and effort into expressing their love for a character or a particular fandom. Plus, I’m a sucker for fun, whimsy, and surprised faces on winners.

Media Guests – Carrie Fisher! Carrie Fisher! Carrie Fisher! Take the journey with me people! Friggin’ Princess Leia was right there! SQUEEEE! Ahem…moving on…(Carrie Fisher!)

Gallery – Gaze at the wonder of the art I procured!


"Doctors" by Chris Anderson

“Doctors” by Chris Anderson


"Monica" by Andy Fisher

“Monica” by Andy Fisher


“Big Barda” by Mike Henderson

20150928_173558[1]“Spider-Gwen” by Rico Renzi


“Persephone” by Sara Talmadge


“Luci” by Robert Wilson IV


“Coffee Owl” by Jillian Lambert


“Judgement/Disappointment Owl”

by Jillian Lambert


“Delirium” by Chris Anderson


“Cowgirl” by Alisa Bishop

“Mie” by Emi Lenox


Another week and another batch of comics to recommend for your reading pleasure. Let’s not waste any time and get to the list!


Peter Panzerfaust #21 – Image Comics

peter_21_CVR_AWritten by Kurtis Wiebe with Art by Tyler Jenkins and colorist Kelly Fitzpatrick, this is the beginning of the final arc of Peter Panzerfaust and the team behind the book aren’t pulling any punches, figuratively and literally as the issue features two intense fist fights between the twins, Maurice and Claude, and the remaining Lost Boys when Tootles essentially decides that they need to hold a memorial for Peter, Lily, and Julien after which the rest of the group can get right the fuck out. Framed within the elderly Maurice’s recollection, the group, back in Paris, has tried to stay together in the wake of their flight from the Sticks and Peter’s capture, but their own personal vendettas and underlying feelings of guilt, responsibility, and bitterness seem to be driving them farther and farther apart. Tootles tries to keep Wendy, Michael, and John safe, with Wendy still taking on the motherly role. Felix has taken to executing Nazis as he sees fit. And the twins…they’re both dealing with things in their own way. It’s part and parcel of what older Maurice tells John Parsons, their story is no different from the stories of hundreds of other people during the war. Survival was the least difficult part, the hard part was figuring out what to do in the aftermath. The crumbling of the Lost Boys, however, gets a bit of a reprieve with a last minute reveal that still manages to get upstaged by an even bigger reveal.


Rat Queens #8 – Image Comics

RatQueens_08-1Also written by Kurtis Wiebe with Art by Roc Upchurch, we get a lot more background on Violet as we get to see almost exactly what led Violet to make the decision to leave her dwarven home, shave her beard, and join the Rat Queens. In the first volume, Sass and Sorcery, we were introduced to Violet’s brother, Barry Blackforge, who, like many of the familial relations to the first ladies of kickassery, didn’t approve of Violet’s decision to go off and become part of a quest-group-for-hire. Now we get to see that, like Dee, Violet’s home was built on the foundations of tradition, ones that still pigeonhole Violet into a model for her father’s new brand of armor instead of a competitor representing her family among the other noble dwarf clans during an annual tournament. It isn’t until she sees the shaven face of Morgan Meldhammer, an older woman fighting in place of another who chooses to buck the system and forge her own path by wearing the symbol she finds empowering, a rat, instead of the symbols of her clan. It’s her example and the supportive and steady hands of her mother with a straight razor that give us the Violet we know and love. And the way this issue ties into the overall narrative is not to be missed at the end.


Nailbiter #6 – Image Comics

Nailbiter 6Dear God can the town of Buckaroo, Oregon get any creepier? According to writer Joshua Williamson and artist Mike Henderson, yes, yes it can. Case in point, Alice, one of the town locals, waxes poetic about her home town from an insider’s perspective. The ongoing mystery is whether the myriad serial killers originating from the town, the Buckaroo Butchers, are some fluke of nature or if there’s something about the town itself that turns its citizens into killers. Determined to find her own answers, and by sheer happenstance, Alice becomes entangled in a woman named Mallory’s desire to have her baby born in Buckaroo so he’ll grow up to be a serial killer and she’ll become famous as the mother of said serial killer; doing the talk show circuit and eventually starting a foundation to help others. Basically a form of Münchausen syndrome where fame is the ultimate goal through the attention of the media. It’s a strong issue to start the next arc despite the exclusion of one of the book’s main characters. Finch sits this one out, presumably because he’s arguing with the FBI over his pending murder trial, while Alice and Sheriff Shannon Crane take the center stage for good reason. Both of these women were born in Buckaroo and both have had to grow up with the stigma of living in the town and the possibility that anyone they know is a potential serial killer. In Shannon’s case, the guy she went to prom with ended up becoming the Nailbiter. Alice, however, is still struggling with how to deal with growing up in Buckaroo, thoughts made far more relevant by the issue’s end.


Grayson #3 – DC Comics

grayson-3-coverWritten by Tom King and Tim Seeley with Art by Mikel Janin. Coming off of the phenomenal Future’s End tie-in that could have easily derailed the momentum of the new book, Grayson wastes no time getting us back into the story proper as Dick and Helena are tasked with taking down The Old Gun, a man who literally sees through the barrels of his guns, after he kills a man and steals his enhanced eyes in a desperate attempt to return his vision to normal. Dick and Helena are backed up by Agents 1 and 8 and it’s through Agent 8 that we get the inevitable conflict between the world of espionage and the world of superheroes. Dick was raised by a man who fell victim to the power of a gun, a man who spent his life attempting to bring an end to crime in Gotham without resorting to the easy route of using the very weapon that ruined his life. Dick isn’t unfamiliar with guns, but as he says to Agent 8, it’s not how he fights. For all of Agent 8’s proselytizing about how quick and easy relying on a gun can be as opposed to the credo of most superheroes and their “no kill” philosophy, Dick sees it as too simplistic of an answer when the missions they’re involved with are much more complicated. The objective may be to get the eyes, but the Old Gun brings a greater emotional weight to the situation once Dick learns the truth. It’s also an intriguing issue that delves into Dick’s own form of identity crisis. For all intents and purposes, Dick Grayson/Nightwing is dead in the eyes of the world, but within the confines of Spyral, the former superhero is now a spy, Agent 37, which comes with its own set of rules and regulations. Agent 8’s repeated botching of the Nightwing moniker as a means of getting under Dick’s skin, and reinforcing the fact that he’s a spy, not a hero, serve only to push Dick’s resolve in holding true to the teachings of his mentor and staying true to himself.


Spotlight On: Gotham Academy #1 – DC Comics

Goth-Acad-1Yes, I know everyone’s been hyping this book as the greatest thing to come out of DC in a long time, but it’s for good reason. Writers Becky Cloonan and Brenden Fletcher and Artist Karl Kerschl bring about a new side of Gotham City through the students and faculty of one of its most prestigious schools. There’s definitely a DC Comics meets Harry Potter vibe, in a good way, as we’re introduced to second-year student Olive Silverlock and first-year student Maps Mizoguchi. Told from Olive’s point-of-view, we know that she’s technically in a relationship with Maps’ older brother Kyle, but there may already be drama involving another student. Olive has become distant and moody as a result of some unknown event that took place during the summer; something so significant that even a visiting Bruce Wayne is aware of her even if she’s not aware of him. But really what the book boils down to is an intriguing, engaging, colorful, and, most importantly, fun, start to the next wave of Bat-books. Olive and Maps, both women of color, are delightful characters to watch. For all her moping, Olive’s problems are that of the typical teenager. She doesn’t quite fit in with her classmates, but much of that is largely tied to her attitude as evidenced through her interactions with her roommate Lucy and Maps. Of course, there’s always a bully and Olive’s Draco Malfoy equivalent is Pomeline Fritch. Seriously, the names alone are a mashup between comic books and Harry Potter naming conventions. But when push comes to shove, Olive is there for the people who need her and that says more about her character than the majority of her teen angst. Maps, however, is joy on legs, which makes her the most entertaining character of the bunch. I was definitely on board when she had the one-sided conversation with Olive about the school’s Headmaster, but later when the girls are climbing the bell tower to see the supposed ghost haunting the North Hall and Maps rambles on and on about her Dungeons and Dragons/LARPing escapades as if they parallel the situation, that’s when I think I fully fell in love with the book. I’m definitely looking forward to solving the mysteries of Gotham Academy and attending classes with such new and fantastically realized characters.

So those are my picks for the week. What about you? What did you read this week and what would you recommend?

It’s the end of Nailbiter‘s first arc, but the story is anything but over as Crane and Finch discover there’s more to Buckaroo, and the people who live there, than they ever imagined.Nailbiter_05-1

Sounds vague, right? But that’s kind of the point. Books in the horror and mystery genres, especially those that intend to be ongoing narratives, have a couple of options when it comes to the impact of their ending-but-not-an-ending. They can either go out with a bang, which usually includes a huge revelation or a disturbing splash page guaranteed to sear itself into the darker recesses of your mind. Or, they can go for the more subdued, contemplative ending that’s more about speculation on the whole rather than the sum. Joshua Williamson and Mike Henderson opt to go for an alternative way of ending Nailbiter that has a little bit of Columns A and B.

The high tension of Nailbiter has been present since the first pages where we saw the capture of Edward Charles Warren, aka The Nailbiter, by police with bodies strewn about the room in various stages of death and decay while Warren chomped down on some fresh fingers. The amped up energy continued with the introduction of Nicholas Finch ready to put a bullet through his head before he’s stopped by a call from his friend Elliot Carroll to hightail it to Buckaroo, Oregon, birthplace of no less than sixteen serial killers, including the recently released Nailbiter. Upon arriving in Buckaroo, Carroll appears to be missing so Finch aligns with Sheriff Shannon Crane to find Carroll just as a series of murders occur and a new Buckaroo Butcher is revealed.

Like any good mystery, a few things get wrapped up in order to satisfy the reader. Carroll’s disappearance and obsession with the Buckaroo Butchers was the impetus for getting Finch to the town, so thankfully Nailbiter has no plans of turning into Season Two of The Walking Dead and the endless, unsatisfying search for Sophia. I say thankful in the sense that Carroll is found, though I’m sure the character would think otherwise given the state he was discovered by Finch and Crane in the previous issue. It’s through Carroll, however, that we get some more insight into Warren and the overarching mystery of the book. Why are so many serial killers originating from Buckaroo? Is it coincidence? Were all of these killers born this way? Or is there something more sinister going on? In fantastically paced flashback, Warren and Carroll square off over the hows and whys of Warren’s transformation into The Nailbiter. There’s no rhyme or reason to Warren’s sudden need to kill, he was, for all intents and purposes, a good kid until he disappeared after prom night. And yet there’s something about the way Warren talks about his killer calling card, his description of image__Image_Comics_Nailbiter_5_preview_01how a person knows the taste of their own blood out of instinct and his own desire to know if other people’s blood tasted different, that keeps the plausibility of Warren just being your run-of-the-mill serial killer alive. He’s clearly disturbed, but as is later revealed pretty much everyone in Buckaroo has some issues.

Like I said, Nailbiter wraps up the smaller mysteries – Carroll’s disappearance, Warren’s possible involvement in the recent murders – in order to clear up space for what’s yet to come. The first arc was all about setting the mood and tone, giving the reader a sense of the environment. It’s a creepy little town in the Pacific Northwest, there’s a cemetery devoted to just the Buckaroo Butchers, a Murder Store cashes in on the spectacle of the macabre, and even the ordinary citizens look like they’re ready to snap at any time. Granted, there was plenty of action and the creep factor was always high, but this arc needed to ground the reality of Buckaroo and the characters. A lot of this was accomplished through Warren, the most unlikely of characters. And yet it makes a lot of sense. We had to believe in Warren’s unsettling nature but we also had to buy him as a person and his connection to the town so his turnaround didn’t come completely out of nowhere. He’s still creepy, don’t get me wrong, but Williamson and Henderson have done a brilliant job of making him a well-rounded character. There’s more to him than we thought and there’s definitely more to Buckaroo as well.

Final Thoughts: Whoever’s pulling the strings in Buckaroo, hopefully Crane, Finch, and maybe Alice, can figure it out.