Posts Tagged ‘Kate McKinnon’

If you’d like the shortest review for Ghostbusters that I can provide, it’d be this: It’s a fun, hilarious, if flawed action comedy starring some of the funniest women in movies and television.0004565435-ew-1420ghostbustters_612x380

It’s not hyperbolic to say that Ghostbusters is significant in the current landscape of Hollywood. It is both an example of the cinematic malady of reboots, remakes, and “reimaginings” of previously existing franchises as well as the agonizingly incremental shift towards female-led movies as viable properties regardless of genre. Unsurprisingly, then, that a lot of people would find “issues” with it, the reasons of which range anywhere from “Another reboot?” to “They’re ruining my childhood!” to, my personal favorite, “[insert expletives about women here.]” But whether you think Ghostbusters is the next step in the vast conspiracy of women taking over the film industry or it managed to “ruin your childhood” – somehow – I can’t stress just how important Ghostbusters is to the next generation of moviegoers. Yes, the 1984 film means a lot to the young men and women who grew up imagining themselves as Peter Venkman, Egon Spangler, Janine Melnitz, or maybe Slimer, but this new generation of girls and boys will be spoiled for choice as they get to pull from two casts of funny, smart, and competent Ghostbusters to emulate on the playground or dress up as for Halloween.

Having those options is a huge deal. Huge. As a tomboy who watched the gendered cartoons of the 80s and 90s, I often found myself gravitating towards the “boys’ cartoons,” which included Transformers, Teenage Mutant Ninja Turtles, G.I. Joe, and The Real Ghostbusters. On the playground, however, I was still “the girl,” so I could only be a girl character because playground logic sucks. But it’s that basic kind of logic kids latch on to and when girl characters are ditzy blondes, secretaries, or the sexy evil counterpart while the boys get to play quippy heroes and awesome villains, it sends a message. Thankfully, some of us grow out of the gender binary as law mentality, but giving kids that ability to see male and female characters in similar roles goes a long way to ensuring they see equality as the norm. And if Ghostbusters can contribute to those future generations’ acknowledgment of women as comedians, action heroes, scientists, and yes, Ghostbusters, then the film is a success in my book.ghostbusters-full-new-img

What I find most interesting, though, is the way Ghostbusters addresses the “controversy” surrounding its main characters without really addressing it outright. It starts with a short, to the point question Martin Heiss (Bill Murray) asks of the Ghostbusters in the wake of their first successful capture of a monstrous apparition:

Why are you pretending to capture ghosts?

It didn’t really hit me until that moment, about halfway through the movie, that Ghostbusters, directed by Paul Feig and co-written by Feig and screenwriter Katie Dippold, is held up by a spine of subtext most women recognize immediately. The “controversy” surrounding the film being what it is, it’s impossible not to see the through-line that informs the Ghostbusters’ most prominent threat outside of actual ghosts: skepticism.

It makes sense, then, that Heiss, a skeptic, asks the question in such a condescending manner. He, along with the main antagonist Rowan North (Neil Casey), are part and parcel of the misogynist culture that continually thwarts women where matters of respect and legitimacy are concerned. While the movie itself never flat-out makes gender an issue within the plot or the story – save for an added scene blasting YouTube commenters and a quick, “You shoot like a girl!” towards the end – it’s constantly present in the external forces acting against the team. To wit, it isn’t a coincidence that these external forces are male. Heiss, Rowan, the ‘Buster’s secretary Kevin (Chris Hemsworth), and the Mayor of New York (Andy Garcia) all present minor and major hurdles for the team as they try to prove themselves in a city determined not to believe them. ghostbusters-2016-ghosts

The most fleshed out character arc in Ghostbusters concerns Dr. Erin Gilbert’s (Kristen Wiig) struggle to be taken seriously as a scientist. At the beginning of the movie, she’s obsessed with getting tenure at Columbia University because tenure equates to status within academia. When her book written about the paranormal with childhood pal, and fellow scientist, Dr. Abby Yates (Melissa McCarthy) resurfaces, she seeks Abby out to keep anyone at the university from finding out about her dalliance in pseudo science; thus the plot begins. The importance of those early scenes, however, feed into the movie’s subtext. Erin wants to be acknowledged by her peers and her university; she wants the pride associated with legitimacy and the respectability that comes with it. Her concerns and actions are deeply rooted in how she wants to be viewed by the rest of the world, which keeps her from throwing herself into her true passion. This is reinforced throughout the film as the media questions the veracity of their first paranormal catch, the Mayor’s office’s actively calls them frauds despite knowing the city’s ghost problems are real, and Erin’s personal trauma of seeing a ghost as a child only to ridiculed by other children with the moniker “Ghost Girl.” With each new development, Erin’s frustration and her desire for legitimacy become more apparent.

It makes the scene with Heiss that much more significant within the narrative. Everything about how Murray plays him is a reminder that women are scrutinized far more than men when it comes to verifying their work, actions, and words. Protection of female sex workers, reporting domestic violence and sexual assault, and even the concept of “Fake Geek Girls” are only a few examples of how women rarely get the benefit of the doubt. We’re liars until proven innocent and even the truth doesn’t guarantee anything. To put it another way, when Venkman says, “Back off, man, I’m a scientist,” he says it cooly and with smarmy confidence. When Erin says, “We can figure this out. We’re scientists!” it’s said desperately, as if everything’s riding on proving themselves as such. And for Erin everything is riding on proving that, as scientists, the Ghostbusters can fix the problem. Her confidence and her self-worth are tied up in her credibility more so than Abby, Holtzman (Kate McKinnon), and Patty (Leslie Jones) so her departure from the team after being called a fraud, yet again, rings true.logo

It’s unfortunate, though, that the scene in which Erin leaves the team is missing from the theatrical cut of the film. One of the consistent pieces of criticism towards the movie is its pacing issues, which I agree is problematic. The story has been building to Erin’s crisis of confidence and departure from the very beginning, so to lose it and what I assume would be an emotional moment between her and Abby as long-lost friend reunited, then torn apart again, is an odd choice. It’s a pivotal moment and the loss of it adds to the messiness of the third act. Her return to the group feels less triumphant and less emotionally resonant when we’re not really sure she left the group at all.

Erin’s return to the group is similarly an important moment because of the message sent. Yes, it’s okay to doubt yourself. Yes, the world may constantly try to weigh you down and question everything. But it’s through the strength and resolve of friendship, of a community, that keeps us going. Erin is the most like herself with Abby, Holtzman, Patty, and even Kevin. She’s more confident, self-assured, and she pushes herself to do things she never would have done before – because her friends are there to help her succeed and lift her up if she fails. She, in turn, will do the same. If you take nothing else away from this movie, at least let that be the one thing that sticks.

If you’ve been on the fence about Ghostbusters, I’d encourage you to go see it because it is a fun time at the theater. There are plenty of homages to the original film, but this new batch is doing their own thing and carving out a new branch of the Ghostbusters franchise. Hopefully, a sequel will give Feig and Dippold more time to flesh out the characters and give us an even more entertaining story starring these hilarious women. More importantly, Ghostbusters is a step in the right direction for women in Hollywood. We can bust ghosts with the best of them and the more chances we get, the more this won’t seem like a “big deal.”

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With filming already begun on Paul Feig’s Ghostbusters reboot, the director has taken to Twitter over the last few days and revealed the team’s old yet new accouterments. Working from the original premise of paranormal investigators who treat ghosts like a one would treat roaches or rodents, Feig and his costuming/props departments have taken what worked in the 80s and found a way to make it even more rough and ready for the next generation of ‘Busters.

Slated for release in July of next year, Ghostbusters stars Feig’s veteran ensemble players Kristen Wiig and Melissa McCarthy as well as Leslie Jones and Kate McKinnon. The plot goeth thusly:

Wiig and McCarthy play a pair of unheralded authors who write a book positing that ghosts are real. Flash forward a few years and Wiig lands a prestigious teaching position at Columbia U. (Like the original, the story takes place in New York City, even though it’s being shot in Boston.) Which is pretty sweet, until her book resurfaces and she is laughed out of academia.

Wiig reunites with McCarthy and the other two proton pack-packing phantom wranglers, and she gets some sweet revenge when ghosts invade Manhattan and she and her team have to save the world. [Source: The Boston Herald]

Well, if the “phantom wranglers” are going to get their sweet revenge, then they’re gonna need the right equipment. First, Feig gave us a look at the jumpsuits the ladies will be sporting.

 

While this isn’t a huge deviation from the original uniforms from 1984, it’s worth noting that those were flightsuits while the newer jumpsuits are playing up the firefighter motif that makes sense when the team operates out of a refurbished firehouse. Even a little thing like adding the reflective stripes plays up the “emergency service” aspect and shows how the Ghostbusters approach their job. It’s splitting hairs, but the attention to detail shows that Feig and his team aren’t playing around with the concept.

There’s even a pick of McCarthy wearing her jumpsuit.

 

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via FlameFlynet

 

Next, Feig showed revealed the new proton packs along with a helpful diagram of the various components for those in need of the terminology when constructing their own.

 

 

Again, it’s the details that really set the newer model apart original. The look of the old proton pack was slightly more put together than this, though it still had a polish that gave the audience the feeling that Spengler and Stantz had already gone through a refinement stage, but didn’t have time to do a proper field test. Hence, the elevator scene. The new model looks like how I imagine the ’84 pack would’ve looked during phase one of construction. It’s rusted and dirty, giving off the vibe that the team had to pick through a scrap yard to find the right pieces.  Best of all, with the main pieces of costuming down, we get to see things like this:

 

 

Women cosplaying as Ghostbusters isn’t new, but the fact that a little girl is already enjoying the fruits of a new team of Ghostbusters, who all happen to be women, is just heartwarming. She now has a group of smart, science-oriented women to look to and go “I wanna dress and be just like them!” For Science!

Lastly, Feig revealed the new wheels our ladies will be driving.

 

And no your eyes aren’t fooling you, that’s a hearse dressed up as the new Ecto-1. The concept hasn’t changed at all. In the ’84 movie, the Ecto-1 was a ’59 Cadillac ambulance/hearse. Makes sense, if you operate out of a firehouse then your vehicle would most likely be a revamped ambulance with awesome sirens and lights. The new Ecto-1 doesn’t mess with what was already a good idea, though there is something hilariously morbid about using  just a repurposed hearse to catch ghosts.

Overall, the design aesthetic of the new Ghostbusters is coming along nicely and I personally can’t wait to see the movie. But what do you think? Let me know in the comments.

If bending to the will of North Korea wasn’t bad enough, it looks like Sony also likes bending over backwards to appease the male movie-going audience of crybabies who see an all-women cast for the Ghostbusters reboot as a threat to the time-honored tradition of busting ghosts. Clearly the lady-folk donning unlicensed nuclear accelerators is most unorthodox and ghostbusters-castcannot be tolerated by polite society.

As reported by Deadline, Sony has given the greenlight for director/writer/producer Ivan Reitman and actor/writer Dan Aykroyd to form a subsidiary production company, Ghostcorps, that will focus explicitly on developing Ghostbusters related properties and merchandising. First on the docket is another Ghostbusters movie slated to immediately follow director Paul Feig’s (Bridesmaids) 2016 reboot staring Kristin Wiig, Melissa McCarthy, Leslie Jones, and Kate McKinnon. This sequel (?) already has Joe and Anthony Russo (Captain America: The Winter Solider) on board to direct following their first-look deal with Sony as well as Drew Pearce (Iron Man 3, Mission: Impossible 5) tapped to write the script and Channing Tatum on board to produce and, most likely, star per the pitch uncovered during the Sony hack.

Reitman further explained how the films will kick off the new Ghostbusters franchise to Deadline:

Paul Feig’s film will be the first version of that, shooting in June to come out in July, 2016. He’s got four of the funniest women in the world, and there will be other surprises to come. The second film has a wonderful idea that builds on that. Drew will start writing and the hope is to be ready for the Russo Brothers’ next window next summer to shoot, with the movie coming out the following hear. It’s just the beginning of what I hope will be a lot of wonderful movies.

Ghostbuster-Lady-ThumbThe key to comedy is (pause for effect) timing. So it’s really mind-boggling that Reitman and Aykroyd, two people known primarily for their comedic ventures, would have the inability to understand how poorly timed their deal with Sony truly is. Look, I’m all for expanding the Ghostbusters world. The premise is solid regardless of the cast, but I’m not the only one who sees how suspicious it is that Ghostcorps was announced in conjunction with the film following the all-women cast. World building is important to a burgeoning franchise, especially one with a 30-year gap, but this announcement feels exclusionary to Feig’s Ghostbusters. It also reeks of panic in response to the vocal minority of dudes who took to social media with their complaints about the reboot and the female leads while the tiniest violin played in the background. Not helping is the fact that Reitman and Aykroyd’s involvement lends greater legitimacy to the film starring Tatum and puts the movie-going audience in the position of creating a gendered dichotomy between the films. The kicker being that Feig’s Ghostbusters will most likely be referenced in the news as the all-female Ghostbusters while the Russo Brothers film will just be referred to as The Ghostbusters because Hollywood is stuck in the male-as-default mentality.a886df9e392dba27a9dd27225c748b56

Seriously, I wouldn’t be opposed to a Channing Tatum, and possibly Chris Pratt, starring followup if the studio had either announced Ghostcorps along with Feig’s reboot or waited until maybe the film was further along in production before throwing another one into the mix. It sends a message that the studio lacks confidence in Feig’s film and it’s disappointing that, as it stands, Wiig, McCarthy, Jones, and McKinnon won’t get to just be The Ghostbusters. It’s always going to come with the caveat of the female Ghostbusters despite the fact that women hold the same love and nostalgia for the original movies as men. Women cosplay as Ghostbusters, read the comics, and watch the cartoons, but you know what women haven’t really had in regards to busting ghosts? Representation on film. That’s what it all comes down to. Sure, a team of men and women would be great in future films, but having a full team of women in an action/horror/comedy sends another message about who can lead a film, the openness of multiple genres, and the strength of thoughtful world building.

Like I said: